As anyone who has studied Capoeira history knows, capoeira was banned in Btazil after the abolition of slavery in 1888.
But why?
I asked this question on a couple of Capoeira forums to get some different opinions, but I was only able to get 1, because I directed the question to him specifically. So I can only give you 3 pers[ectives.
First was what I got from Google.
Capoeira was banned in Brazil after the abolition of slavery in 1888 because the government feared its use as a means of resistance by newly freed slaves, associating it with criminal activity and potential rebellion, leading to the practice being outlawed and heavily persecuted by authorities; essentially, capoeira was seen as a threat to social order due to its potential for violent use by marginalized populations.
Key points about the ban
Origin as a resistance tool:Slaves developed capoeira as a way to secretly practice self-defense, disguised as dance, to fight back against their enslavers.
Post-slavery concerns: After emancipation, the Brazilian government feared that capoeira would be used by former slaves to incite unrest, leading to its criminalization.
Social stigma: Capoeira became associated with gangs and criminal elements, further contributing to its negative perception.
Mestre Bimba’s role: Later, Mestre Bimba played a key role in legitimizing capoeira by creating a structured teaching method and presenting it as a sport, which eventually led to the lifting of the ban. ;
Second, we have the perspective of Head coach Ras of Atacxgym:
The reason Kipura ( not Capoeira, as that term was created by Raphael Bluteau a racist sexist Catholic priest, as like the good racistfeudalist clergyman he was, he almost wholly mispronounced and almost wholly misunderstood both the word and every facet of practice of Kipura ) is because Kipura at once is:
1. A nigh invincible self defense system that is inexplicably, stridently culturally linguistically racially and blatantly Black Power centered of by and from Alkebulan. Meaning the racistfeudalists would be faced with the specter of a clearly Alkebulan warrior system, practiced by Alkebulans, unending their colonial dreams as well as the corrupted and altered Biblical scriptures ( which were not the original scriptures or interpretations which we see in the Ge’ez Scriptures ) as well as flat out lies of White superiority which propelled the ( recently civilized by Alkebulans ) Euro and Arab nobility and aristocracy false justifications hiding their real reasons ( they want ultimate power, fear we Alkebulans will prevent them from getting ultimate power because of our enormous mineral wealth and mindboggling achievements in every area ahows we can subjugate the world forever if we so chose ) to create and engage in race specific chattel slavery.
2. Kipura is every bit as powerful if not even more powerful as a whole human development system as it is a combat system. Kipura unfettered would produce intellectual and civilization al superiority because it already did so for over 890 years.
3. White elites wanted and still want now to dominate subjugation and control the world, and harness all components of the world to the machine of their own perpetually growing and exclusively their own power without consequences to be even possible by those whom they subjugate.
That means US.
Kipura warriors demolish those possibilities in every way.
Now, here’s my perspective:
The reason why I think Capoeira was banned and made illegal in 1888 was because of its potential to bring all social classes, races, and creeds of people together, uniting them in a shared practice that transcended societal barriers. This unique martial art form not only provided a means of physical expression but also fostered a sense of community and belonging among diverse groups. The rhythmic movements, music, and dance elements of Capoeira created an environment where participants could connect with one another, forging bonds that challenged the existing social hierarchies. As Capoeira gained popularity and recognition, it posed a significant threat to the established colonial system that the elites of Brazil had created, one that relied on division and dominance. The very existence of this cultural expression could inspire a collective identity and resistance among the oppressed, leading the ruling class to see it as a danger that needed to be suppressed for the sake of maintaining their power and control over the population.
Most Martial Arts originate from conflict, and Capoeira emerged from RESISTANCE in 16th century Brazil as a safe haven for enslaved people to gather, train, and share strategies. It represents a form of embodied resistance for the African diaspora, remaining a tool for social empowerment. Capoeira not only involves physical resistance against oppression but also fosters community solidarity and shared leadership. Its history reflects the struggle for freedom and self-expression, highlighting the resilience and creativity of marginalized communities, while its movements and songs celebrate the fight against injustice.
As practitioners engage in the art, they not only refine their skills through powerful kicks and agile dodges but also cultivate a profound sense of identity and belonging. The music that accompanies Capoeira, played on traditional instruments such as the berimbau and atabaque, creates an atmosphere of vibrancy and unity, encouraging participants to chant and sing as they move. This dynamic practice not only preserves the rich cultural heritage of African traditions but also serves as a living testament to the enduring spirit of those who fought against adversity. Furthermore, Capoeira’s emphasis on improvisation and creativity empowers individuals to express themselves freely, promoting personal growth and social cohesion, which further contributes to the ongoing dialogue surrounding equality and justice in contemporary society.
2 examples of this happened last weekend, and this weekend.
On December 14th & 15th, Mestre Themba Mashama gave a lecture and an amazing Capoeira Angola workshop, providing healing space for expansion and growth.
In these days, when so many things are shifting and changing, we find it an immense privilege to have access to living repositories of wisdom, alignment, and guidance—our elders. These are the individuals who have walked the paths before us, who have navigated the complexities of life and emerged with insights that are invaluable. The ones who guide us and teach us from their experience so that our experiences can be better, providing us not only with knowledge but also with the strength to face our own challenges. We can do and be better for the young ones when the old ones have our back, offering support and encouragement that inspires resilience. This bridge of information and light from source and back to the source inside all of us creates an enduring connection, reminding us of our shared humanity and interdependence, as we learn to weave our stories into the rich tapestry of life that encompasses all generations.
And yesterday, we at Capoeiristas for Change had our 4th Annual Essential Item & Toy Drive, an event that has become a staple in our commitment to giving back to the community.
This drive is designed to service not only our local El Sereno area but also the broader LA community, expanding our reach to touch the lives of many who are less fortunate. Additionally, we aim to support the migrants at the US/Mex border, a group that often faces immense challenges and hardships. Today, a dedicated team of our volunteers set out on a heartfelt mission, delivering some of the collected goods directly to the people in need there, ensuring that our efforts have a tangible impact on those who require assistance the most. It is inspiring to witness the generosity and kindness of our supporters, as each toy and essential item collected represents a beacon of hope for families during these trying times.
Well, you have 3 perspectives on why Capoeira was banned. I believe they are not only correct, but they complement each other, creating a comprehensive understanding of this complex issue. Each perspective sheds light on different cultural, social, and political factors that contributed to the prohibition, allowing us to see the multifaceted nature of the situation.
Additionally, these viewpoints underscore the historical context in which Capoeira developed, illustrating how its roots in resistance and community were perceived as threats by those in power. By examining these reasons collectively, we can appreciate not only the resilience of Capoeira but also the enduring spirit of those who practiced it in the face of oppression.
At least, I think so.
Jogo Corpo Fechado 