THE MOMENT OF TRUTH FRIDAY CRIME REPORT (10/31/25)

Every Friday morning, PROFESSOR BLACK TRUTH hosts “The Friday Crime Report,” a compelling program meticulously centered around systemic racism, economic inequality, and police brutality that profoundly affect the black community. Through a combination of expert interviews, in-depth analysis, and personal narratives, the show not only raises awareness about these critical issues but also actively promotes advocacy for meaningful change. By fostering dialogue and encouraging community engagement, “The Friday Crime Report” serves as an essential platform for listeners, empowering them to understand the complexities of these societal problems and inspiring them to take action that can lead to impactful policy change. Each episode aims to illuminate the often-unheard voices and stories within the community, integrating a broader discussion on how solidarity and collective efforts can drive progress toward a more equitable society.

In Today’s installment…

In a shocking turn of events that has ignited outrage and public outcry, Jesse Butler, who last year was unequivocally implicated in the rape of two teenage girls, one of whom he strangled to the brink of death, has been set free. The case, initially deemed “open-and-shut” by legal experts and observers, pointed to an undeniable mountain of evidence that virtually guaranteed a lengthy prison sentence for Butler – specifically, 78 years behind bars.

However, the justice system took an unexpected and highly controversial detour. In a move that has left many questioning the integrity of the process, the District Attorney’s office, after initially pursuing the case with full force, abruptly reversed its own decision. Instead of continuing to prosecute Butler as an adult, they petitioned the court to reclassify him as a “youthful offender.” This reclassification, despite the gravity and brutality of his alleged crimes, ultimately paved the way for his release. The details surrounding the DA’s sudden change of heart remain shrouded in mystery and are fueling intense speculation and anger among the victims’ families and the wider community.

—–Special Acknowledgment:

A heartfelt shoutout and immense gratitude to the professor for generously uploading this insightful video. Their dedication to sharing knowledge and fostering understanding is truly commendable. For those eager to delve deeper into the professor’s work and explore their extensive collection of educational content, you are invited to click HERE to access their YouTube channel.

A message from the professor

For several years now, a significant and often contentious effort has been underway to establish a dedicated Hip-Hop Museum in the Bronx, the very birthplace of the genre. This ambitious project aims not only to celebrate the rich history and cultural impact of Hip-Hop but also to honor the countless artists, producers, and pioneers who have shaped its evolution. What once seemed like a distant dream now appears closer than ever to becoming a tangible reality, with various community stakeholders and local leaders increasingly rallying behind the initiative. As plans progress, generating both excitement and a degree of apprehension within the community, many residents are contemplating the impact this museum will have on their neighborhood, hoping it will bring revitalization while also preserving the authentic essence of the culture that originated there.

The proposed museum aims to be more than just a collection of artifacts; it seeks to chronicle the rich history, cultural impact, and artistic evolution of hip-hop from its nascent stages in the 1970s to its global dominance today. Proponents envision a space that celebrates the pioneering DJs, MCs, B-boys, B-girls, and graffiti artists who forged this revolutionary art form. It would highlight the social and economic conditions that gave rise to hip-hop, its role as a voice for the marginalized, and its eventual transformation into a multi-billion dollar industry that influences fashion, language, and popular culture worldwide. Educational programs, interactive exhibits, and archival resources are also expected to be central to its mission, providing a comprehensive understanding of hip-hop’s enduring legacy.

However, the journey to establish this institution has not been without its challenges and criticisms. A central question that continues to surface and fuel debate is whether the museum’s creation is truly about preserving the authentic culture of hip-hop or, conversely, whether it represents an act of appropriation. Critics express concerns that commercial interests and corporate influences might dilute the raw, rebellious spirit of hip-hop, transforming it into a sanitized, commodified version for mass consumption. There are fears that the voices of the true originators might be overshadowed by those with financial power, leading to a narrative that prioritizes profit over authenticity and community ownership.

The discussion also extends to who will ultimately control the narrative and benefit from the museum’s success. Will it genuinely serve as a hub for the community it represents, or will it become another tourist attraction that extracts value from the culture without adequately reinvesting in its roots? These are complex questions that delve into issues of cultural ownership, economic justice, and the delicate balance between preservation and commercialization. As the project inches closer to completion, these debates underscore the profound significance of hip-hop and the fierce protectiveness its originators and long-time fans feel towards its integrity and legacy. The successful realization of the Hip-Hop Museum will ultimately depend on its ability to navigate these nuanced concerns, ensuring that it remains a true testament to the culture while embracing its global impact.

The Professor’s engaging videos on black empowerment tackle both historical and contemporary issues with a profound depth that encourages viewers to explore their own understanding of race and identity. By combining thorough research with relatable storytelling, he effectively promotes critical thinking and ignites meaningful conversations among diverse audiences. His YouTube channel HERE serves not only as an educational platform but also fosters a vibrant community focused on significant black topics and encourages open dialogue, making it a vital resource for anyone looking to expand their knowledge and participate in these important discussions. Additionally, the community aspect of the channel allows viewers to share their personal experiences, further enriching the discourse around black empowerment and cultural awareness.

Let’s sing for World Peace!!!

I came across this video, which is titled, THIS SONG SHOULD BE TRANSLATED TO ALL THE LANGUAGES IN THE WORLD. #WORLDPEACE, and I wholeheartedly agree with its central message about universal understanding and the power of music to connect people across cultures. The song is called Rien ne m’étonne (nothing surprised me), and it’s beautifully performed by the talented Ivorien Revolutionary singer Tiken Fah Koli. His lyrics resonate with themes of resilience and hope, touching on the struggles faced by communities while also inspiring listeners to embrace peace and unity. This song truly deserves to be shared worldwide, allowing its uplifting spirit to reach every corner of the globe and remind us of our shared humanity.

Here are the lyrics in English:

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

If you let me have Chechnya,

Me, I’ll let you have Armenia

If you let me have Afghanistan,

Me, I’ll let you have Pakistan

If you don’t leave Haiti,

Mе, I’ll send you to Bangui

If you help me bomb Iraq,

Mе, I’ll sort out Kurdistan for you

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

If you let me have Uranium,

Me, I’ll let you have Aluminum

If you let me have your mineral deposits,

Me, I’ll help you chase out the Taliban

If you give me a lot of wheat,

Me, I’ll go to war at your side

If you let me extract your gold,

Me, I’ll help you kick the General out

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

They divided Africa without consulting us

And they wonder why we are disunited

Part of the Mandinka Empire ended up with the Wolof

Part of the Mossi Empire ended up in Ghana

Part of the Soussou Empire ended up in the Mandinka Empire

Part of the Mandinka Empire ended up with the Mossis

They shared Africa without consulting us!

Without asking us!

Without informing us!

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

They’ve divided up the world

Nothing surprises me anymore

Nothing surprises me anymore

Nothing surprises me anymore

Let’s bring Peace for all of humanity! This aspiration goes beyond mere words; it embodies the collective hope for a world where understanding, compassion, and goodwill prevail among all individuals, transcending borders and differences. By fostering open dialogue, embracing diversity, and nurturing empathy, we can create an environment where everyone feels valued and respected.

Together, we can work towards a future where peace is not just a dream, but a reality that enriches the lives of generations to come. This vision requires collaboration and commitment from individuals, communities, and nations alike, fostering an environment where understanding and empathy prevail over conflict. By investing in education and open dialogue, we can cultivate a culture that embraces diversity and promotes harmony, allowing future generations to thrive in a world free from discord. As we unite our efforts, we pave the way for sustainable solutions that address the root causes of strife, ensuring that the dream of a peaceful coexistence becomes an integral part of our shared journey forward.

Capoeiristas, State Repression, and Violence Part 2

Well, my first post on this subject was so well received, that I decided to create a Part 2.

Capoeira’s journey from a tool of survival to a celebrated cultural art form encapsulates the very best of human endurance and ingenuity. It demonstrates that culture is not static; it is a dynamic, living entity that can adapt, resist, and flourish even in the most hostile environments. Its continued growth and global reach stand as an irrefutable testament to the power of cultural resilience and the universal human yearning for freedom and self-determination.

Capoeiristas have often found themselves at the crossroads of cultural expression and state repression, facing violence and discrimination throughout history. Our art, which embodies a rich tapestry of Afro-Brazilian heritage, has been a form of resistance against oppression, allowing them to reclaim their identity in the face of adversity. However, the struggles of these practitioners are not confined to historical contexts; they resonate with contemporary issues, such as the recent ice raids that have disproportionately targeted marginalized communities. The connection lies in the ongoing fight for recognition and rights, highlighting how both capoeira and the experiences related to immigration enforcement reflect a deep-seated struggle against systemic injustice. How these cultural warriors navigate the dual realities of preserving their traditions while confronting oppressive forces reveals the complexities of identity and resistance in today’s society.Capoeiristas have historically occupied a precarious position at the nexus of profound cultural expression and severe state repression. Throughout centuries, they have endured violence, discrimination, and relentless attempts to suppress their unique art, which embodies a rich and intricate tapestry of Afro-Brazilian heritage. More than just a martial art or a dance, capoeira has served as a powerful and enduring form of resistance against the systemic oppression faced by enslaved Africans and their descendants in Brazil. Through its movements, music, and philosophy, capoeira allowed them to reclaim their identity, preserve their cultural memory, and foster community in the face of profound adversity.

The struggles of capoeiristas, however, are not confined to the annals of history; they resonate powerfully with contemporary issues, demonstrating an ongoing fight for recognition, justice, and fundamental human rights that transcends time and geography. A stark and deeply troubling parallel can be drawn between the historical persecution of capoeiristas, who faced oppression from colonial powers and societal disdain, and the recent ice raids that have disproportionately targeted marginalized communities in various parts of the world, igniting debates on immigration policies and human rights violations. In both instances, the state, through its enforcement mechanisms, has been used to control, displace, and subjugate populations deemed “other,” resulting in widespread trauma and disenfranchisement. This systemic marginalization not only stifles individual and collective identities but also fuels a broader societal narrative that seeks to erase the rich cultural contributions of these groups. The legacy of capoeiristas serves as a poignant reminder of the resilience inherent in fighting against injustice, offering a beacon of hope and solidarity for contemporary advocates striving to dismantle oppressive structures and promote a more equitable society.

The connection between these seemingly disparate struggles lies in the pervasive and deeply entrenched struggle against systemic injustice that persists in multiple forms across different societies. Just as capoeira was once outlawed, seen as a threat to colonial authority, and its practitioners persecuted and marginalized, immigrant communities today face the constant threat of family separation, detention, and deportation, often without due process or adequate legal representation. These parallel narratives reveal how marginalized groups continually fight for their rights and cultural identities in the face of oppressive systems. Both capoeira, with its history of covert practice, coded movements, and resilient spirit, and the experiences related to immigration enforcement, with its harrowing impact on vulnerable families and the fragility of their dreams, reflect a profound and ongoing battle against powerful, often invisible, forces of oppression that seek to silence their voices and erase their existence. By recognizing these interconnected struggles, we can better understand the importance of solidarity in the pursuit of justice, ensuring that the legacies of resistance continue to inspire current and future generations to challenge and dismantle the structures of inequality that persist today.

The profound question that arises from this comparison is how these “cultural warriors” – whether historical capoeiristas or contemporary advocates for immigrant rights – navigate the complex dual realities of preserving their cherished traditions and cultural identities while simultaneously confronting oppressive forces. Their resilience and determination reveal the intricate complexities of identity formation, cultural survival, and resistance in today’s increasingly interconnected yet often divisive society. Understanding these parallels is crucial for recognizing the enduring legacy of struggle and the continuous need for vigilance in safeguarding human rights and cultural expression against all forms of systemic injustice.The profound question that arises from this comparison is how these “cultural warriors” – whether historical capoeiristas or contemporary advocates for immigrant rights – navigate the complex dual realities of preserving their cherished traditions and cultural identities while simultaneously confronting oppressive forces. Their resilience and determination reveal the intricate complexities of identity formation, cultural survival, and resistance in today’s increasingly interconnected yet often divisive society. This struggle is not merely a historical footnote but a continuous, evolving challenge that demands constant vigilance.

Historically, capoeiristas, often marginalized and facing severe state repression in Brazil, transformed their cultural practice into a formidable tool of resistance. The seemingly innocent dance and music masked a highly effective martial art, allowing them to maintain their cultural heritage while subtly, yet powerfully, challenging the dominant order. Their ability to adapt and innovate under duress highlights a crucial aspect of cultural survival: the capacity for transformation and reinvention. The very act of practicing capoeira became an assertion of self, a defiance against attempts to erase their identity.

In parallel, contemporary advocates for immigrant rights find themselves in a similar crucible. They champion the preservation of diverse cultural traditions, languages, and identities, often against restrictive policies, xenophobic sentiments, and systemic discrimination. Their efforts to establish cultural centers, organize community events, and advocate for inclusive policies are direct echoes of the capoeiristas’ struggle to maintain their cultural integrity. The fight for the right to speak one’s native language, practice one’s religion, or celebrate one’s heritage becomes a fundamental act of resistance against assimilationist pressures.

Understanding these parallels is crucial for recognizing the enduring legacy of struggle and the continuous need for vigilance in safeguarding human rights and cultural expression against all forms of systemic injustice. It underscores the idea that cultural expression is not a superficial aspect of human existence but a fundamental component of identity and a powerful catalyst for social change. The lessons learned from the historical resilience of capoeiristas offer invaluable insights into the strategies and spirit required for contemporary cultural warriors to navigate the challenges of a world grappling with issues of globalization, migration, and the persistent struggle for equality and recognition. The battles fought in the past, though seemingly different in context, provide a blueprint for understanding and empowering those who continue to fight for the right to exist authentically and express their cultural identities freely in the face of adversity. This ongoing dialectic between cultural preservation and resistance shapes the very fabric of diverse societies, reminding us that the defense of culture is, at its heart, the defense of human dignity.

R.I.P. Assata Chakur

Assata Shakur died in Havana, Cuba, on September 25, 2025, at the age of 78. The cause of death was cited as “health conditions and advanced age” by Cuba’s Ministry of Foreign Affairs. Her passing brings a close to a decades-long saga that began with a high-profile murder conviction and ended with a long life in political asylum, during which she became an enduring symbol of resistance and resilience against systemic injustice.

Shakur, born Joanne Chesimard, was a prominent member of the Black Liberation Army, a radical group that sought to fight against systemic racism and promote civil rights for African Americans. In 1977, after a highly publicized trial, she was convicted of the 1973 murder of a New Jersey State Trooper during a tense and violent traffic stop, a case that garnered national attention due to its implications regarding police brutality and racial injustice. In a dramatic turn of events, she escaped from a New Jersey prison in 1979 with the help of fellow activists and quickly sought refuge outside the United States. By 1984, Shakur had successfully obtained political asylum in Cuba, where she was welcomed as a symbol of resistance against U.S. imperialism and was able to continue her activism in a supportive environment. For decades, the U.S. government engaged in extensive efforts to locate and extradite her from Cuba, yet these attempts proved fruitless, illustrating the complexities of international law and diplomatic relations. In 2013, to reignite the pursuit of justice, the FBI added her to its Most Wanted Terrorists list, marking the first time a woman was included on that list, elevating her status as both a fugitive and a controversial figure in the ongoing discussions surrounding race, justice, and activism in America.

Throughout her life, Shakur advocated for social change and equality, capturing the attention of activists and scholars around the world. Her contributions to discussions about race, class, and gender continue to resonate, making her a significant figure in both American history and contemporary social movements. In a time marked by turmoil and transformation, she stood at the forefront, challenging societal norms and articulating the struggles faced by marginalized communities. Her fierce commitment to justice, demonstrated through her writings, speeches, and actions, has paved the way for meaningful dialogue and awareness around issues of inequality. Her legacy will likely inspire future generations to confront the challenges of oppression and fight for justice in pursuit of a more equitable society.

Today, as we reflect on her impact, we honor her legacy, recognizing the profound influence she has had on the fight for civil rights and social justice, and the path she has carved for those who continue to advocate for change. Her relentless pursuit of equality and her unwavering commitment to justice have inspired countless individuals to stand up against oppression and challenge societal norms.

MALANDROS IN ACTION (9/23/25)

This series explores the modern malandro in urban society, highlighting their charm and resourcefulness while tackling economic disparity and social justice. It illustrates their resilience and cleverness in overcoming challenges, portraying them as influential figures in discussions of equity. By interweaving personal stories with societal issues, the series examines the complexities of the malandro’s life, showcasing both their struggles and successes. Ultimately, it invites viewers to reassess their views on success and morality, celebrating the malandro’s significant contributions to urban culture, where defiance can signify solidarity.

In Today’s installment, We follow Conor Woodman in a show named scam city, a series where he gets scammed, so we don’t have to.

As soon as Conor arrives in Bogota, he is warned about a dangerous drug made from a flowering shrub that renders victims helpless to thieves’ requests. This drug, known locally as “la flor de la muerte,” has been the center of numerous alarming reports, with locals sharing chilling stories of unsuspecting tourists who fell victim to its effects. Conor learns that the shrub thrives in the lush landscapes surrounding the city, making it not just a symbol of beauty, but a hidden peril.

He becomes acutely aware of the dangers lurking in unfamiliar alleys and crowded markets, where the whispered warnings of street vendors echo in his mind, painting a vivid picture of both intrigue and caution. With each passing hour, the gravity of the situation intensifies, as he realizes that understanding the local culture and its dangers is as essential as exploring the vibrant sights of the city, which pulse with life and energy yet hide complexities beneath their alluring facades.

Each interaction, each fleeting glance exchanged with strangers, serves as a reminder that the excitement of discovery must be tempered with vigilance, for the vibrant colors of the market can just as easily invite opportunity as they can camouflage potential threats. As he navigates through this maze of experiences, he begins to appreciate the depth of the city not just by its sights, but also by recognizing the unsung rules that govern its rhythm and flow, making him increasingly aware that his journey is as much about understanding the heart of the city as it is about visually consuming its beauty.

What happens when we love our heroes too much?

This morning while getting ready for work, I came across this ingenious video, “The Boondocks Saw It Coming — We Just Didn’t Listen”. This video focuses on the episode, “The Trial of Robert Kelly”.

This episode serves as a cautionary tale, reflecting on Black America’s idolization of celebrities over truth and the implications of such reverence. This thought-provoking documentary not only showcases the complexities of our entertainment industry but also highlights how this adoration often blinds us to the flaws and wrongdoings of our idols. It compares its themes to the seismic shifts observed in the actual trials of R. Kelly and Sean “Diddy” Combs, thoroughly examining the complex issues of celebrity worship that permeate society, the sense of racial loyalty that complicates discussions around accountability, and the systemic failures within the justice system that often allow powerful figures to evade consequences.

Through powerful storytelling and incisive analysis, the documentary urges viewers to critically assess the cultural narratives surrounding these figures, probing deeper into how societal dynamics and historical precedents shape our responses to allegations of misconduct. The implications extend beyond individual cases, inviting a broader discourse on justice, moral responsibility, and the collective value we place on truth versus fame.

It poignantly touches on the cases of Tory Lanez and Jonathan Majors, highlighting a troubling trend of protecting influential men, often at the devastating cost of Black women, whose voices remain marginalized in these conversations. The film ultimately challenges viewers to grapple with the implications of supporting cultural icons while simultaneously seeking justice for the wronged, questioning whether it is truly possible to love the art while acknowledging the harm done by the artists behind it. Through this exploration, the documentary prompts a deeper reflection on our values and the narratives we choose to uphold.

Shoutout to the YouTube channel SPARKUP for creating and posting this incredible video, which showcases their unique approach to engaging and educational content. If you appreciate high-quality videos that inspire and inform, please click HERE to watch more amazing videos from this channel, where you can find a diverse range of topics that are sure to captivate your interest and expand your knowledge. Make sure to subscribe to stay updated with their latest releases and join a growing community of viewers who share a passion for learning and discovery!

BLACK MAN, YOU NEED TO CHECK THIS OUT!

I woke up, and this video popped up on my feed, and I knew I had to share this with you.

Rather than posting up some limited commentary, I’ve decided to just post the original YouTube description:

From a grainy 1954 filmstrip to the sharp wit of animated satire, from verses spoken in dim-lit poetry lounges to the piercing honesty of hip hop and candid interviews — this is the story of an unbroken thread.

Selling to the Negro. The Boondocks. Kanye West on Def Poetry Jam. Jay-Z’s The Story of O.J. Tupac Shakur speaking truth in 1992 about greed, power, and the American dream.

Across seventy years, these moments echo each other — each one revealing how race, wealth, identity, and image are braided into the fabric of America’s imagination. We see how ads once courted Black consumers with a smile, how satire stripped fame to its bones, how music and poetry wrestled with the cost of success, and how artists have fought — and sometimes surrendered — to the very systems they question.

This isn’t just history. It’s the same story retold in different tongues, from the polished pitch of Madison Avenue to the raw beats of the block.

The past and present stand face to face here, leaving us with one lingering question: has anything truly changed?

You know what’s really scary? Some of the things that was taught in that old film about negro spending habits are some of the same things my mother would teach me about buying things.

THERE’S NO PLACE LIKE HOME

Man, I gotta get better at making videos.

Anyway, I want to tell you about another amazing Capoeira Angola adventure I had last Sunday, June 22nd, a day after the summer solstice. It was an afternoon filled with reuniting with old friends and meeting new friends, creating a vibrant tapestry of connections that warmed the heart. The atmosphere was charged with excitement as practitioners of all levels gathered, each contributing their unique energy to the circle. The rhythm of the Berimbau resonated in the air, and the infectious laughter and lively conversations surrounded us, creating a sense of community. The amazing brotherhood and camaraderie that expresses all that is good about Capoeira reminded me of the essence of this beautiful art form—it’s not just about the physical practice, but also about the relationships we build and the stories we share as we grow together in our journey.

There were quite a few schools of Capoeira there from all over L.A., and a few from Orange County, creating an atmosphere filled with excitement and energy that drew everyone in, igniting a sense of community among practitioners and spectators alike. As the sun set, casting a warm glow over the gathering, we played soft, we played hard, showcasing our skills and passion for the art; the rhythms of the Berimbau resonated in the background, elevating the experience to a transcendental level. We all played beautifully, each move telling a story of dedication and culture, as every kick, spin, and flip blended into a captivating narrative that celebrated our heritage, bridging gaps between generations and uniting us through the vibrant dance of Capoeira.

The rhythm pulsed through our veins, and then, after a couple of hours, we ended with an amazing Samba De Roda, where I admit, I danced longer than I should have, completely losing track of time in the joyous celebration. But when the drums call, I have to answer, surrendering to the infectious beat that calls to the very essence of who I am. Then after that was the coolest, most amazing picnic I ever attended, where laughter echoed through the air, delicious fruit was shared, and new friendships were formed under the warm sun, making the entire day an unforgettable experience that I will cherish forever.

This amazing celebration was the start of Capoeira Batuque’s annual batisado, which will be happening all this week, filled with various activities, workshops, and performances that showcase the rich cultural heritage of Capoeira. For more info, please check out their website, brasilbrasil.org. It promises to be an exciting time for participants and spectators alike, as students demonstrate their skills and passion for this unique art form.

I would like to sincerely thank Mestre Amen Santo, as well as Mestres Muito tempo, Minha Velha, Varal, and Contramestres Saracuru for their invaluable contributions to the Capoeira community, which have significantly shaped our culture and practices over the years. A special mention goes out to Arthur Fiu, whose unwavering enthusiasm and vibrant energy truly inspire us all, motivating each member to strive for excellence and to embrace the spirit of Capoeira. Furthermore, I cannot forget to express my appreciation for my uncle in Capoeira, brother Jelani Lateef, whose infectious laughter and warm presence always bring joy and positivity to our gatherings, creating an atmosphere that fosters camaraderie and friendship.

I’m pretty sure I missed some of you, and for that, I sincerely apologize; it was never my intention to exclude anyone, but in the excitement and depth of acknowledgement, I realize that some deserving names may have slipped my mind. Thank you all for your support and passion in keeping the Capoeira tradition alive.

I mentioned that a couple of weeks ago, I went to Oakland for another EVENT. The experience there was truly unforgettable, filled with laughter, connections, and a vibrant sense of community. And as amazing as that was, after coming back here to LA, going to the gathering on JUNETEENTH, and this gathering yesterday, which further highlighted the importance of unity and love, all I can say is,

THERE’S NO PLACE LIKE HOME.

THE MOMENT OF TRUTH FRIDAY CRIME REPORT (6/13/25)

Every Friday morning, PROFESSOR BLACK TRUTH presents “The Friday Crime Report,” a thought-provoking program that delves into the pressing challenges faced by the black community, such as systemic racism, economic inequality, and police brutality. The program not only serves as a platform to raise awareness and stimulate meaningful dialogue but also empowers individuals by providing them with the knowledge and tools necessary to advocate for change. Through compelling narratives, the program advocates for critical policy changes aimed at improving the lives of marginalized individuals, fostering a sense of solidarity and community engagement that is essential for enacting social justice and equality. By addressing these complex topics, “The Friday Crime Report” aspires to inspire action and contribute to a more equitable society for all.

In Today’s installment…

In 2024, 19-year-old Sade Robinson went missing under mysterious circumstances that shocked the Milwaukee community. As days turned into weeks, local authorities began to intensify their investigation, focusing on the last known person she had been seen with—a man whose background raised several red flags. The case garnered media attention, raising awareness and prompting residents to come forward with any information. Tragically, as the investigation unfolded, body parts believed to belong to Sade started to be discovered, scattered not only throughout the city but also in remote areas outside the state. This gruesome turn of events ignited fear and outrage among citizens, and the search for answers intensified as the community rallied together, hoping to find justice for the young woman whose life was cut so tragically short.

Shout out to the professor for creating and posting this insightful video.

The Professor produces engaging videos on black empowerment that tackle historical and contemporary issues, promoting critical thinking. His YouTube channel HERE builds a community centered on sharing knowledge about significant black topics, enriching perspectives, and fostering active dialogue.