Welcome to TODAY IN BLACK MEDIA, your source for news, cultural events, and discussions from an African American perspective. We aim to highlight diverse voices, celebrate black achievements globally, and delve into narratives that shape our lives. Our platform encourages appreciation of arts, exploration of current affairs, and engagement in social justice discussions, providing a vibrant experience that fosters understanding and empowerment.
In today’s installment…
The tragic killing of 8 people by a Latino neo-Nazi in Allen, Texas, has sparked an uncomfortable discussion about Nazi and white supremacist culture in Latin America, prompting many to examine the existence and historical roots of these ideologies in society. This horrifying incident has forced us to confront the unsettling fact that extremism can manifest in diverse forms and among various ethnic groups, challenging preconceived notions about who perpetrates such violence.
As scholars and activists delve deeper into the sociopolitical landscapes of Latin American countries, they uncover a complex tapestry of colonial history, economic disparity, and cultural influences that have allowed these abhorrent beliefs to gain traction. The conversations ignited by this tragedy also highlight the necessity for broader awareness and education on issues of racism, discrimination, and the importance of unity in the face of hatred, as communities grapple with the far-reaching implications of such ideologies in their midst.
It is crucial to examine the intricate socio-political landscape of Latin America, where issues of race, identity, and class intersect in complex ways. These intersections often lead to differing experiences of marginalization and privilege among various communities, revealing the deeply rooted inequalities that persist within societies.
Groups promoting these hateful ideologies frequently exploit existing societal tensions, drawing on historical grievances and present-day frustrations to gain traction, effectively deepening divisions within the population. This disturbing phenomenon not only highlights the fragility of social cohesion but also raises significant questions about the overall impact on communities and the long-term implications for the fight against racism and extremism across the region. As we navigate this challenging discourse, we must also consider the voices of those directly affected, whose stories often go unheard, and the resilience they display in the face of such unsettling realities, as they strive to forge a more inclusive and equitable society amidst adversity.
Shoutout to the professor for creating an engaging video that simplifies complex topics and inspires interest in the subject. Click HERE to explore his channel for innovative, curiosity-driven content and practical educational resources.
Welcome to MARTIAL ARTS THEATER, a platform for martial arts enthusiasts to explore a wide range of disciplines. From traditional styles like karate and taekwondo to lesser-known techniques such as Krav Maga and Muay Thai, we offer diverse content for seasoned martial artists and those intrigued by combat. Delving into the history, philosophy, and techniques of each martial art, we celebrate the discipline, dedication, and diversity embodied in these practices. Join us on this captivating journey through the world of martial arts.
In this installment, we have this noble attempt to answer a question that I’m sure a lot of people out there are pondering…
Capoeira vs. Karate… WHICH IS DEADLIEST???!!!
Now personally I think the most effective style is the one that fits your personality. There are strengths and weaknesses to each style, and if you can fit the strengths of your chosen style to suit you, then you will be practicing the most deadly style… for you. It’s essential to explore various techniques and approaches, taking the time to reflect on what resonates with your individual character. By embracing a style that aligns closely with your natural inclinations and preferences, you not only enhance your effectiveness but also enjoy the journey of mastery.
This personalized approach allows for greater creativity and expression, enabling you to tap into your innate abilities while overcoming the potential pitfalls associated with less compatible styles. Ultimately, the key is to adapt and refine your practice continuously, ensuring that it evolves alongside your personal growth and understanding.
However, that’s not what this video is about. so…
Join us in “Capoeira vs Karate – Dance-Like Flow Meets Precise Strikes!” as we dive deep into the vibrant world of martial arts, meticulously comparing the acrobatic Brazilian Capoeira, famed for its expressive movements and musical elements, with the precise and disciplined techniques of Japanese Karate, known for its powerful strikes and traditional forms.
This exploration will not only highlight the historical context and cultural significance of each discipline but also showcase the unique benefits they offer to practitioners. Capoeira, with its roots in Afro-Brazilian culture, is a fascinating blend of dance, rhythm, and martial prowess, emphasizing fluidity and creativity. In contrast, Karate’s structured approach focuses on mastery of techniques, discipline, and mental toughness, offering practitioners a path to self-improvement and resilience. Through detailed analysis and vivid illustrations of techniques, we aim to celebrate the rich diversity within the martial arts community, encouraging enthusiasts and newcomers alike to appreciate the artistry and effectiveness of both Capoeira and Karate.
In this engaging analysis, we will explore the unique strengths and challenges each martial art presents in a hypothetical fight scenario, breaking down their distinctive styles and strategies in detail. From the disciplined precision of traditional martial arts to the fluid adaptability of modern combat systems, each style offers specific techniques that can be advantageous in different contexts. Through a series of rounds, we will uncover the intricacies of both disciplines, shedding light on their effectiveness in various controlled settings as well as in unpredictable, real-life situations. We will also examine the psychological aspects, training regimens, and historical backgrounds that contribute to each martial art’s philosophy and application in combat.
Join us to discover which style may ultimately hold the upper hand, enhancing your understanding of these two dynamic martial arts and perhaps inspiring you to delve deeper into the world of martial arts training for personal growth and self-defense!
Many discussions about global religious practices often ignore Sub-Saharan Africa or highlight it negatively; this series seeks to change that by showcasing the diverse indigenous beliefs, such as ancestral worship and the reverence for natural elements, alongside the significant impact of world religions like Christianity and Islam, which have woven themselves into the social fabric of the region. By exploring these belief systems, we aim to illustrate the rich cultural heritage and vibrant spiritual life of the region, emphasizing the unique rituals, festivals, and community gatherings that highlight the importance of spirituality in everyday life. Furthermore, this exploration will not only reveal the complexity of these practices but also foster a deeper understanding of how they contribute to a sense of identity and belonging among the diverse populations of Sub-Saharan Africa.
In this installment…
This is an hour and a half exploration of the myths and realities of voodoo, which delves deeply into its rich historical context and cultural significance. The presentation includes a look at the sources of voodoo in ancient African religion, highlighting how these traditional beliefs have evolved and adapted over time. Furthermore, it examines the syncretism that occurred when African practices intertwined with European and Caribbean influences, creating a uniquely vibrant form of spirituality. By analyzing various rituals, symbols, and practices, the exploration reveals the profound connection between voodoo and identity, community, and resistance against oppression. Additionally, the role of folklore and oral traditions in preserving these ancient beliefs is discussed, showcasing how voodoo continues to play a significant role in modern societies.
It also examines current day practitioners, offering insights into their diverse practices, intricate rituals, and the community’s vital role in preserving this rich spiritual heritage. By delving deeply into the beliefs that underpin these traditions, the program showcases how these rituals are not just mere performances but are steeped in profound historical significance and communal identity. Furthermore, the program investigates the startling phenomenon of possession, shedding light on both the psychological and spiritual dimensions of this intense experience, in Season 3, “Voodoo.” Through expert interviews and firsthand accounts, it explores the complexity of these transformative moments, making it a comprehensive and enlightening study for anyone interested in understanding this often misunderstood and misrepresented practice, while fostering a deeper appreciation for its cultural context and the narratives woven around it.
Kobina Ackon, known as Wode Maya, is a notable Ghanaian Vlogger and YouTuber renowned for his engaging and insightful videos that showcase African culture and lifestyle. With a degree in Aeronautical Engineering from Shenyang Aerospace University, China, he successfully combines his technical knowledge with his passion for storytelling. Over the years, he has established a thriving niche in social media content creation, captivating audiences with his unique perspective and relatable content. His channel has experienced tremendous growth, amassing over a million subscribers in just a few years, a testament to his ability to connect with viewers and shed light on the beauty and vibrancy of the African continent. As an advocate for positive representation, Wode Maya aims to inspire the youth and foster a greater appreciation for African heritage through his work.
Click HERE to visit his YouTube channel for engaging videos that highlight his exceptional talents and provide valuable insights on various topics, from cultural experiences to personal growth. Through his unique storytelling and vibrant personality, he captivates viewers while fostering a deeper understanding of diverse perspectives, making the channel a must-visit for anyone eager to be inspired and entertained. Whether you’re looking for entertaining lifestyle content, educational discussions, or just a dose of positivity, Wode Maya’s videos consistently deliver an enriching experience that keeps audiences coming back for more.
So, why am I posting Wode Maya’s videos here?
The image of Africa has been distorted globally, leading to misconceptions that fail to capture the true essence of this vibrant continent. However, efforts are underway to change these narratives through engaging YouTube videos that provide authentic insights into the region’s diverse culture, rich history, and remarkable achievements. By highlighting local stories, traditions, and the unique lifestyles of various communities, these videos aim not only to dismantle stereotypes but also to enrich global perceptions of the African experience, showcasing the continent’s rich tapestry of languages, art forms, and culinary delights. Through this medium, viewers are invited to explore the continent’s natural beauty, from the breathtaking landscapes of the savannahs to the bustling markets steeped in cultural significance, all of which contribute to a more nuanced and appreciative understanding of Africa’s multifaceted identity. In doing so, these videos play a crucial role in fostering connections, sparking curiosity, and promoting a deeper conversation about the continent’s place in the global narrative.
These narratives ensure that African voices tell their own history, celebrating unsung heroes and fostering appreciation for diverse cultures that have often been overlooked. This reclamation process empowers future generations by instilling a sense of pride in their heritage and identity, while simultaneously encouraging a more nuanced understanding of Africa, emphasizing its resilience and innovation across various sectors, including technology, arts, and social movements. As these authentic representations circulate and gain traction, they contribute to a broader dialogue that challenges prevailing misconceptions and highlights the continent’s vibrant potential. Moreover, the promotion of these stories not only preserves the rich tapestry of Africa’s past but also paves the way for new narratives that showcase the continent’s dynamic present and promising future. By actively engaging young people in the storytelling process, we not only enrich their cultural education but also inspire them to become agents of change, capable of driving social progress. This interconnected approach fosters a deep appreciation for the continent’s diverse narratives, empowering individuals to take ownership of their stories and advocate for their communities on both local and global stages. Ultimately, these efforts create a more inclusive and accurate representation of Africa that resonates with audiences worldwide, encouraging a collective journey towards healing and understanding.
Many discussions on global religious and spiritual practices often overlook Sub-Saharan Africa, and when addressed, it is usually negatively; this series aims to change that perception by highlighting the rich tapestry of beliefs and traditions that thrive in this region. From the diverse array of indigenous faiths to the profound influence of world religions such as Christianity and Islam, Sub-Saharan Africa is home to a vibrant cultural heritage that reflects a deep connection to spirituality and community. By showcasing the unique rituals, philosophies, and the stories of practitioners from various backgrounds, we hope to foster a greater appreciation for the complexity and beauty of spiritual life in this often-misunderstood part of the world.
In this installment..
The importance of African centered Spirituality in the Black Community is questioned amidst the presence of Christianity, Islam, Judaism, and Atheism. Many individuals find themselves in a struggle to reconcile their ancestral traditions with the prevailing faiths around them, leading to a rich but complex dialogue about identity and worship.
There’s a dilemma of whether to practice traditions like Ifa, Yoruba, Kemetic, Igbo, or Vodun while also grappling with the significance of established faiths like Jesus, Allah, and Yah. This tension not only influences personal beliefs but also impacts community dynamics, creating a space for both conflict and unity as people seek to honor their roots while remaining true to their spiritual journeys. As individuals explore the rich tapestry of their ancestral customs, they often find themselves negotiating their identities in relation to modern societal values and expectations.
The interplay between these ancient traditions and contemporary faith systems can lead to profound reflections on spirituality, identity, and community, as adherents strive to harmonize the teachings and practices of their heritage with the more widely accepted beliefs that shape the world around them. This complex landscape invites dialogue and introspection, encouraging a deeper understanding of the significance of faith across different cultures and the shared human experience that transcends time and space. Ultimately, this exploration fosters a sense of belonging and empowerment, as individuals navigate their paths in a world that increasingly values diversity and inclusivity, celebrating the richness brought forth by differing perspectives on the divine and the ancestral.
As the conversation evolves, understanding and respect for diverse pathways become crucial, fostering an environment where African centered Spirituality can coexist alongside other belief systems, enriching the collective experience of the Black Community.
Shoutout to the Ijakadi African Martial Arts YouTube channel for creating this video. If you want to know more about them click HERE,
AfricanMartialArts.comoffers Ijakadi African Martial Arts, a comprehensive at-home program that covers various techniques such as footwork, striking, grappling, and weapons, rooted in African culture. Users gain access to weekly video lessons, live workshops, rank testing, and more, catering to all skill levels from beginner to advanced.
TODAY, The Legendary Mestre Bimba would have been 124 years old today, a remarkable milestone that signifies not only his age but the profound impact he had on the world of capoeira. His innovative techniques and dedication to preserving the cultural heritage of this Brazilian martial art have influenced countless practitioners around the globe, ensuring that his legacy continues to inspire new generations. As we reflect on his contributions, we also recognize the importance of his teachings that emphasized not only the physical aspects of capoeira but also the values of respect, community, and resilience, which remain crucial to its practice today.
So we at Jogo de Corpo Fechado would like to celebrate by showing you this vintage video of his life and his school from the 1960’s, a period of rich development in the art form, presented by the CAPOEIRA MUSEUM OFFICIAL YouTube channel. This video, which captures the essence of Mestre Bimba’s innovative teaching methods and the vibrant culture of capoeira during that era, serves as a fantastic insight into how he shaped the contemporary practice of this martial art. Along with the video, we encourage you to read the detailed description below, which provides additional context and translations in both English and Portuguese for a deeper understanding of his legacy.
The Bimba group!! This historic video has undergone image and sound treatment, and as in many of our videos, we have added identification of the characters present and information about the material. Of course, it might require further additions, but we leave that to the comments on the videos, as that enriches each of our videos. The date is 1968 (finalization of editing), but the filming may have occurred in 1967; this is an excerpt from a documentary from the French TV INA.fr, which goes to Pelourinho to capture this historical gem for our study of capoeira. Master Bimba sits on the bench and begins to play the cavalaria while the camera captures the scenes of the graduating classes of Capoeira Regional, with photographs likely from performances and capoeira games. In addition to the famous, albeit inappropriate, posters normalized for the time, we can also see captured by the camera several painted berimbaus hanging on the wall. With only a single berimbau present, without accompaniment from pandeiros, the rhythm of the beginning of the roda is in São Bento Grande da Regional. It is noteworthy to observe the attire (clothing) worn by the capoeiristas, with or without shirts and wearing everyday trousers and shoes. We see the entrance of Atelino, the lightning of Capoeira (there is a book released by Master Itapoan featuring a long interview with him). Atelino enters the academy and crosses the roda, and we notice his significance when we see Master Saci promptly rising and conceding his place to him, who from that moment will stand next to Master Bimba (Do we notice hierarchy?). The chant “Oi sim, sim, sim, oi não, não, não” follows.
move to the foot of the Berimbau, Saci and Prada; I had heard today that in Regional, there was no squatting to enter the game, which is not what the video shows. However, we will wait for someone to explain this “contradiction” to us in the comments on the video. In the academy, we see two circles painted on the ground, a smaller one in the center and a larger one around it, both in the same colors. Sitting in the back to the right of the Master, we see Master Gigante wearing sunglasses and smoking. In the second round, we see a game accompanied only by the berimbau without the palmeado. The player is Baiano Anzol (wearing black pants, who takes a header) with…? – Master Baiano Anzol states: “In this recording, they gave a meia lua that hit the camera, and it took two months to bring another lens and continue the recording work” (Text from the Master on his YouTube). When the third round begins, Atelino enters with the “bode” (pandeiro) to accompany the berimbau, starting off-cross so that the Master can accompany him with the berimbau, resulting in only one berimbau and one pandeiro. Master Bimba begins his chant, “Oi, Sim, Sim, Sim, Oi Não, Não, Não”… now with participation in the chorus from his “pastoras,” including his wife Dona Alice. The palmeado happens in Ijexá’s rite (1, 2, 3) and in the palm of terreiro. The chant changes to “Vou dizer a meu senhor, que a manteiga derramô” and we see the third pair at the foot of the berimbau, Camisa Roxa and Saci. In the background, behind the Master, standing, we see Master Piloto, and nearby, sitting on the bench in a white shirt, is Dr. Decanio. I “believe” the source of research was Grupo de Estudo Regional Baiana (WhatsApp) – ADM – Leco/Laecio Souza.
A turma de Bimba!! Esse vídeo histórico recebeu tratamento de imagem e som e ainda acrescentamos como em muitos vídeos nossos a identificação dos personagens presentes e informações sobre o material, claro que pode carecer de mais acréscimos, mas isso deixamos por conta dos comentários aos vídeos, pois é o que deixa mais rico cada vídeo nosso. A data é 1968 (finalização da edição) porém as filmagens possam ter ocorrido em 1967, esse é um trecho de um documentário da TV francesa INA.fr e que vai até ao Pelourinho registrar essa preciosidade histórica para nosso estudo da capoeira. Mestre Bimba senta no banco e inicia o toque de cavalaria em quanto a Câmara registra os quadros das turmas de formados da Capoeira Regional, fotografias provavelmente de apresentações e jogos de capoeira, para além dos famosos cartazes menos próprios, mas normalizados para a época, podemos ver captados pela câmara ainda, alguns berimbaus pintados pendurados na parede. Com a presença apenas de um único berimbau, sem acompanhamento de pandeiros o ritmo do início da roda é em São bento Grande da Regional, é de se notar a indumentária (roupas) que os capoeira utilizam, com ou sem camisa e utilizando caças e calçados do dia a dia, notamos a entrada de Atelino, o relâmpago da Capoeira (Existe um livro lançado pelo Mestre Itapoan com uma longa entrevista com o mesmo), Atelino adentra a academia e atravessa a roda, nota-se seu grau de importância quando vemos o Mestre saci prontamente levantando-se e cedendo o lugar para ele, que desse momento em diante seguirá ao lado do Mestre Bimba (Notamos hierarquia? ) Segue-se o corrido “Oi sim, sim, sim, oi não, não, não”…
Seguem para o pé do Berimbau Saci e Prada, eu já havia ouvido nos dias de hoje, falarem que na Regional não existia agachamento para sair para o jogo, não é o que o vídeo mostra, no entretanto vamos esperar que alguém nos explique essa “contradição” aqui nos comentários ao vídeo. Na academia vemos dois círculos pintados no chão, um menor no centro e um maior em volta, os dois nas mesmas cores. Sentado ao fundo no lado direito do Mestre vemos o Mestre Gigante de óculos escuro e fumando. Na segunda volta vemos um jogo acompanhado somente pelo berimbau sem o palmeado. Quem está jogando é Baiano Anzol (calça preta, que leva uma cabeçada) com ..? – Mestre Baiano Anzol afirma que: ” Nessa gravação deram uma meia lua que acertou a câmara e levaram dois meses pra trazer outra lente e continuar o trabalho de gravação” (Texto do Mestre em seu Youtube). Quando começa a terceira volta, Atelino entra com o “bode” (pandeiro) para acompanhar o berimbau, começando atravessado fazendo com o que o Mestre o acompanhe com o berimbau, ficando unicamente um berimbau e um pandeiro. O Mestre Bimba começa seu corrido, “Oi, Sim, Sim, Sim, Oi Não, Não, Não”… e agora já com participação no coro, das suas “pastoras”, entre elas sua mulher Dona Alice. O palmeado se dar no rito Ijexá (1, 2, 3) e na palma de terreiro. O corrido muda para “Vou dizer a meu senhor, que a manteiga derramô” e vê a terceira dupla para o pé do berimbau, Camisa Roxa e Saci. Ao fundo, atrás do Mestre, em pé, vemos o Mestre Piloto, e próximo a eles sentado no banco com uma camisa branca o Dr. Decanio. “acredito” que a fonte de pesquisa foi Grupo de Estudo Regional Baiana (Whatsapp) – ADM – Leco/Laecio Souza.
I didn’t include this in the “Malandros in action” series because this involves a whole corporation rather than just one person, which fundamentally alters the narrative’s focus and scope. By shifting the spotlight from individual actions to collective corporate behaviors, it becomes necessary to explore a myriad of complex dynamics that govern such an entity, including corporate strategies, employee interactions, and the broader impact on the community.
This more “holistic” approach would require a nuanced examination of how these corporate decisions shape lives and influence our society as a whole, potentially detracting from the intimate stories of individual malandros that I initially intended to highlight in the series.
So, let’s get this blog started.
This is the story of how Citibank caused the fall of Haiti, a tale that intertwines financial power and political instability, revealing the devastating impact of external influence on a nation struggling for autonomy.
The bank’s aggressive lending practices, coupled with exploitative interest rates, ensnared the Haitian government in a cycle of debt that ultimately stifled economic growth and led to widespread poverty. As the nation grappled with these challenges, the all-consuming grip of foreign financial institutions became evident, contributing significantly to the deterioration of societal structures and the erosion of civil rights in the pursuit of profit.
Hopefully, Haiti bounces back hard from the challenges it has faced in recent years; with its rich culture, resilient people, and abundant natural resources, there is a significant potential for recovery and growth, enabling the nation to rebuild its economy, restore its infrastructure, and enhance the quality of life for its citizens.
Many discussions on global religious and spiritual practices often overlook Sub-Saharan Africa, and when addressed, it is usually negatively; this series aims to change that perception by highlighting the rich tapestry of beliefs and traditions that thrive in this region. From the diverse array of indigenous faiths to the profound influence of world religions such as Christianity and Islam, Sub-Saharan Africa is home to a vibrant cultural heritage that reflects a deep connection to spirituality and community. By showcasing the unique rituals, philosophies, and the stories of practitioners from various backgrounds, we hope to foster a greater appreciation for the complexity and beauty of spiritual life in this often-misunderstood part of the world.
In this installment…
About 45 percent of all Africans transported throughout the Americas during the transatlantic slave trade arrived from West Central Africa, including the Kongo, a region rich in cultural heritage and historical significance. This area was not only characterized by its vibrant societies and complex political structures but also by its diverse languages, art forms, and traditions that reflected the deep-rooted connections of its people to their land.
The Kongo played a pivotal role in trade networks, facilitating the exchange of goods, culture, and ideas long before the onset of the slave trade. Furthermore, the experiences and contributions of those who came from this region have profoundly influenced the cultural landscapes of the Americas, giving rise to unique blends of African, European, and Indigenous traditions that continue to resonate in music, religion, and culinary practices today.
Kôngo spirituality includes a wide variety of concepts grouped around two areas of application: divine practice and human practice. This intricate system encompasses not only rituals and beliefs but also the profound relationship between the spiritual and the material realms, reflecting the interconnectedness of life.
This lecture aims to elucidate this wealth, with regard to Palo and Bukôngo as two different schools of Kôngo spirituality, both of which offer unique perspectives and methodologies for understanding the universe and one’s place within it. The richness of Kôngo spirituality is rooted in ancient traditions and oral histories that convey wisdom through generations.
This elucidation will be attained through the interpretation of the divine initiatory process through the Kôngo cosmogram, a vital tool that visually represents the spiritual journey and its stages, allowing practitioners to navigate their path with clarity and purpose. By delving into these elements, the lecture will highlight the significance of both the divine and human aspects in the pursuit of spiritual enlightenment within the Kôngo tradition.
Today commemorates the death of Zumbi, the last king of Palmares, a quilombo founded by escaped enslaved Africans in Brazil.
This extraordinary community, which thrived in the 17th century, was not just a refuge but a powerful symbol of resistance against the brutalities of slavery and colonialism. Palmares, known for its remarkable ability to withstand repeated Dutch and Portuguese invasions, stands as a testament to the strength and resilience of those who dared to fight for their freedom and dignity.
Zumbi’s leadership was instrumental in uniting diverse groups of enslaved people, immigrants, and indigenous individuals, creating a vibrant society that valued culture, knowledge, and autonomy. This coalition fostered a unique community where different traditions blended harmoniously, allowing members to share their stories and histories while celebrating their distinct identities. As a result, Zumbi became not only a symbol of resistance against oppression but also a beacon of hope for those seeking freedom. Through organized efforts, this society cultivated a sense of belonging and camaraderie, where education and mutual support were paramount. The gatherings held in the heart of this community became crucial for strategizing against their oppressors, empowering individuals and enhancing their collective resolve to fight for justice and dignity.
As a capoeirista, I see it as my duty to resist not only in honor of Zumbi and the legacy of Palmares but also to continue the fight against modern forms of oppression that still persist today, ensuring that their spirit lives on in our struggles for justice and equality. This commitment drives me to engage actively in community organizing and education, empowering others to recognize the injustices that permeate our society.
In every movement and every stroke of my craft, I channel the voices of those who fought before us, reminding us that our art is not merely a dance but a powerful weapon against inequality. I strive to foster a sense of unity and resilience among my peers, motivating us to carry forward the torch of liberation and to confront systemic challenges with courage and creativity. Together, we embody the hope for a future where freedom, respect, and dignity are not just ideals, but lived realities for all.
Rei Zumbi de Palmares
A história nos engana
Dizendo pelo contrário
Até diz que a abolição
Aconteceu no mês de maio
A prova dessa mentira
É que da miséria eu não saio
Viva 20 de novembro
Momento pra se lembrar
Não vejo em 13 de maio
Nada pra comemorar
Muitos tempos se passaram e o negro sempre a lutar
Zumbi é nosso herói Zumbi é nosso herói, colega velho
De plamares foi senor
Pela causa do homem negro
Foi ele quem mais lutou
Apesar de toda luta, colega velho
Negro não se libertou, camarada!
The history deceives us.
Saying otherwise
Even says abolition
It happened in the month of May.
The proof of this lie
I can’t get out of misery.
Viva November 20th
Moment to remember
I do not see on May 13th.
Nothing to celebrate.
Many times have passed and the black man has always fought.
Zumbi is our hero Zumbi is our hero, dear old friend
Este é um documentário abrangente sobre a vibrante cidade de Salvador, focando especificamente nas semanas animadas do Carnaval de 1974, uma época em que as ruas explodiam em música, cor e expressão cultural. O filme é inspirado no livro homônimo do renomado autor brasileiro Jorge Amado, mostrando a rica história e tradições da cidade durante este período festivo. Através de entrevistas com os moradores, filmes de arquivo e narrativas cativantes, o documentário busca capturar a essência de Salvador, destacando a importância do Carnaval não apenas como uma celebração, mas também como um reflexo da herança diversa e do espírito comunitário da cidade.
(This is a comprehensive documentary about the vibrant city of Salvador, focusing specifically on the lively weeks of the Carnival in 1974, a time when the streets burst with music, color, and cultural expression. The film draws inspiration from the eponymous book by the renowned Brazilian author Jorge Amado, showcasing the rich history and traditions of the city during this festive period. Through interviews with locals, archival footage, and captivating narratives, the documentary aims to capture the essence of Salvador, highlighting the significance of Carnival not only as a celebration but also as a reflection of the city’s diverse heritage and community spirit.)
(Synopsis: Written in 1944, Bahia de Todos os Santos is a narrative about the city of Salvador published the following year. A song of praise to the city of Bahia, the book avoids the picturesque nature of tourist guides. It reviews the beauty and qualities of the capital of Bahia and also addresses its missions and pains. Jorge Amado composes here a guide to the streets and the mysteries of São Salvador da Bahia de Todos os Santos, the city of Bahia, “black by excellence,” founded in 1549. The author describes the working-class and noble neighborhoods, the fairs and markets, the countless hills and streets of the city, and especially the mythical characters of the city of São Salvador. The adaptation of Jorge Amado’s work for the 1970s faced difficulty in finding the new characters from the candomblé rhythms, the masters of the saveiros, the Mães de Santo from the terreiros, the artisans of Mercado Modelo, and the tricksters from Baixa dos Sapateiros. The writer recommends that one should not try to decipher the secrets of the city, as its mysteries completely involve the body, soul, and heart of the Bahian people. But the characters were there! We found Mário Cravo, Gilberto Gil, Mestre Pastinha, Mestre Waldemar, and during Carnival, the Trio Elétrico of Dodô and Osmar, and even the captains of Areia from the new times.)
Bahia de todos os santos Bahia dos orixás Bahia de menininha Menininha do gantois
Bahia de todos os santos Bahia dos orixás Bahia de menininha Menininha do gantois
Bahia dos angoleiros Bahia dos regional Bahia dos angoleiros No mercado popular
Bahia dos angoleiros Bahia dos regional Bahia dos angoleiros No mercado popular
Bahia de João Pequeno Bahia de Curió Bahia de Boca Rica Mestre Lua de Bobó
Bahia de João Pequeno Bahia de Curió Bahia de Boca Rica Mestre Lua de Bobó
All Saint’s Bahia The Orixás Bahia Little girl’s Bahia Little girl of the gantois
All Saint’s Bahia The Orixás Bahia Little girl’s Bahia Little girl of the gantois
The angoleiros’ Bahia The regional’s Bahia The angoleiro’s Bahia At the public market
The angoleiros’ Bahia The regional’s Bahia The angoleiro’s Bahia At the public market
João Pequeno’s Bahia Curió’s Bahia Boca Rica’s Bahia Mestre Lua de Bobó’s Bahia
João Pequeno’s Bahia Curió’s Bahia Boca Rica’s Bahia Mestre Lua de Bobó’s Bahia
Jogo Corpo Fechado 