This Capoeira Angola documentary “O pulo do gato” explores the rich traditions and cultural significance of this captivating Afro-Brazilian martial art form, delving into its historical roots and the philosophies that underpin its practice.
Through the vibrant footage of authentic Capoeira performances, viewers are transported into the heart of the Capoeira community, gaining insight into the deep sense of identity and resilience that this art fosters among its students. As the rhythm of the music intertwines with the graceful movements of the practitioners, it becomes evident how deeply rooted Capoeira is in cultural heritage, allowing participants to not only express themselves physically but also to connect with their ancestry. The energy of the Capoeira circle, or “roda,” reveals a communal spirit where collaboration and respect are paramount, highlighting the shared journey of each individual. Furthermore, the intricate blend of martial arts, dance, and music not only serves as a form of self-defense but also as a powerful vehicle for personal growth and confidence-building, which transcends the barriers of language and geography, uniting practitioners from diverse backgrounds in a celebration of life and artistry.
Kobina Ackon, known as Wode Maya, is a notable Ghanaian Vlogger and YouTuber renowned for his engaging and insightful videos that showcase African culture and lifestyle. With a degree in Aeronautical Engineering from Shenyang Aerospace University, China, he successfully combines his technical knowledge with his passion for storytelling. Over the years, he has established a thriving niche in social media content creation, captivating audiences with his unique perspective and relatable content. His channel has experienced tremendous growth, amassing over a million subscribers in just a few years, a testament to his ability to connect with viewers and shed light on the beauty and vibrancy of the African continent. As an advocate for positive representation, Wode Maya aims to inspire the youth and foster a greater appreciation for African heritage through his work.
Click HERE to visit his YouTube channel for engaging videos that highlight his exceptional talents and provide valuable insights on various topics, from cultural experiences to personal growth. Through his unique storytelling and vibrant personality, he captivates viewers while fostering a deeper understanding of diverse perspectives, making the channel a must-visit for anyone eager to be inspired and entertained. Whether you’re looking for entertaining lifestyle content, educational discussions, or just a dose of positivity, Wode Maya’s videos consistently deliver an enriching experience that keeps audiences coming back for more.
So, why am I posting Wode Maya’s videos here?
The image of Africa has been distorted globally, leading to misconceptions that fail to capture the true essence of this vibrant continent. However, efforts are underway to change these narratives through engaging YouTube videos that provide authentic insights into the region’s diverse culture, rich history, and remarkable achievements. By highlighting local stories, traditions, and the unique lifestyles of various communities, these videos aim not only to dismantle stereotypes but also to enrich global perceptions of the African experience, showcasing the continent’s rich tapestry of languages, art forms, and culinary delights. Through this medium, viewers are invited to explore the continent’s natural beauty, from the breathtaking landscapes of the savannahs to the bustling markets steeped in cultural significance, all of which contribute to a more nuanced and appreciative understanding of Africa’s multifaceted identity. In doing so, these videos play a crucial role in fostering connections, sparking curiosity, and promoting a deeper conversation about the continent’s place in the global narrative.
These narratives ensure that African voices tell their own history, celebrating unsung heroes and fostering appreciation for diverse cultures that have often been overlooked. This reclamation process empowers future generations by instilling a sense of pride in their heritage and identity, while simultaneously encouraging a more nuanced understanding of Africa, emphasizing its resilience and innovation across various sectors, including technology, arts, and social movements. As these authentic representations circulate and gain traction, they contribute to a broader dialogue that challenges prevailing misconceptions and highlights the continent’s vibrant potential. Moreover, the promotion of these stories not only preserves the rich tapestry of Africa’s past but also paves the way for new narratives that showcase the continent’s dynamic present and promising future. By actively engaging young people in the storytelling process, we not only enrich their cultural education but also inspire them to become agents of change, capable of driving social progress. This interconnected approach fosters a deep appreciation for the continent’s diverse narratives, empowering individuals to take ownership of their stories and advocate for their communities on both local and global stages. Ultimately, these efforts create a more inclusive and accurate representation of Africa that resonates with audiences worldwide, encouraging a collective journey towards healing and understanding.
“There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. There are not more than five primary colours, yet in combination, they produce more hues than can ever been seen. There are not more than five cardinal tastes, yet combinations of them yield more flavours than can ever be tasted.” ― Sun Tzu, The Art of War“
Capoeira Angola is a defensive martial art that combines a rich cultural history with physical agility and mental discipline. It features 8 basic defenses, each designed with specific techniques that incorporate unique attacks and counters, empowering practitioners to effectively defend against various weapons. This dynamic art form not only emphasizes the importance of movement and rhythm but also teaches the value of strategy and adaptability in combat situations. By mastering these techniques, individuals can gain confidence in their ability to protect themselves while simultaneously enjoying the artistic expression that Capoeira Angola offers in its fluid and graceful movements.
And today, we’re gonna talk about the ROLE.
Rolê is a basic movement in the Roda, performed from Ginga or esquivas, where the capoeirista spins to the side, staying low and watchful of the opponent’s movements. During the rotation, he maintains eye contact with the adversary through his legs, which is crucial for anticipating their next actions and maintaining defensive readiness. This continuous visual connection not only enhances the capoeirista’s awareness of his surroundings but also establishes a psychological edge over the opponent.
The rolê can end in various positions such as roxana, Negativa, or other esquivas, each presenting unique defensive or offensive opportunities for countering or retreating, providing capoeiristas with a multitude of strategic options. Among its numerous variations, the Rolê de Cabeça stands out distinctly, as it involves placing the head on the ground, which not only enables smooth transitions into inverted techniques like the aú or even the macaco but also allows practitioners to execute dazzling aerial maneuvers that captivate audiences and instill fear in opponents. This versatility expands the repertoire of movements within the game, making it vital for practitioners to explore every facet of the rolê and its applications.
Moreover, mastery of the rolê and its various transitions is fundamental for any aspiring capoeirista, as it enhances agility and fluidity in their movements while simultaneously improving balance and spatial awareness. This foundational skill serves not only as a technical basis for performance but also as a gateway to deeper levels of expression within the art form. As practitioners become more skilled, the rolê allows them to experiment with different rhythms and styles, creating a unique signature in their practice. This expanded use of the rolê enables a dynamic and unpredictable style during combat, fostering an environment where creativity thrives and adaptability becomes key to overcoming challenges faced within the roda. Additionally, engaging in the rolê can cultivate a sense of camaraderie among capoeiristas, facilitating a shared journey of growth and mutual support as they explore the limitless possibilities inherent in capoeira.
TODAY, The Legendary Mestre Bimba would have been 124 years old today, a remarkable milestone that signifies not only his age but the profound impact he had on the world of capoeira. His innovative techniques and dedication to preserving the cultural heritage of this Brazilian martial art have influenced countless practitioners around the globe, ensuring that his legacy continues to inspire new generations. As we reflect on his contributions, we also recognize the importance of his teachings that emphasized not only the physical aspects of capoeira but also the values of respect, community, and resilience, which remain crucial to its practice today.
So we at Jogo de Corpo Fechado would like to celebrate by showing you this vintage video of his life and his school from the 1960’s, a period of rich development in the art form, presented by the CAPOEIRA MUSEUM OFFICIAL YouTube channel. This video, which captures the essence of Mestre Bimba’s innovative teaching methods and the vibrant culture of capoeira during that era, serves as a fantastic insight into how he shaped the contemporary practice of this martial art. Along with the video, we encourage you to read the detailed description below, which provides additional context and translations in both English and Portuguese for a deeper understanding of his legacy.
The Bimba group!! This historic video has undergone image and sound treatment, and as in many of our videos, we have added identification of the characters present and information about the material. Of course, it might require further additions, but we leave that to the comments on the videos, as that enriches each of our videos. The date is 1968 (finalization of editing), but the filming may have occurred in 1967; this is an excerpt from a documentary from the French TV INA.fr, which goes to Pelourinho to capture this historical gem for our study of capoeira. Master Bimba sits on the bench and begins to play the cavalaria while the camera captures the scenes of the graduating classes of Capoeira Regional, with photographs likely from performances and capoeira games. In addition to the famous, albeit inappropriate, posters normalized for the time, we can also see captured by the camera several painted berimbaus hanging on the wall. With only a single berimbau present, without accompaniment from pandeiros, the rhythm of the beginning of the roda is in São Bento Grande da Regional. It is noteworthy to observe the attire (clothing) worn by the capoeiristas, with or without shirts and wearing everyday trousers and shoes. We see the entrance of Atelino, the lightning of Capoeira (there is a book released by Master Itapoan featuring a long interview with him). Atelino enters the academy and crosses the roda, and we notice his significance when we see Master Saci promptly rising and conceding his place to him, who from that moment will stand next to Master Bimba (Do we notice hierarchy?). The chant “Oi sim, sim, sim, oi não, não, não” follows.
move to the foot of the Berimbau, Saci and Prada; I had heard today that in Regional, there was no squatting to enter the game, which is not what the video shows. However, we will wait for someone to explain this “contradiction” to us in the comments on the video. In the academy, we see two circles painted on the ground, a smaller one in the center and a larger one around it, both in the same colors. Sitting in the back to the right of the Master, we see Master Gigante wearing sunglasses and smoking. In the second round, we see a game accompanied only by the berimbau without the palmeado. The player is Baiano Anzol (wearing black pants, who takes a header) with…? – Master Baiano Anzol states: “In this recording, they gave a meia lua that hit the camera, and it took two months to bring another lens and continue the recording work” (Text from the Master on his YouTube). When the third round begins, Atelino enters with the “bode” (pandeiro) to accompany the berimbau, starting off-cross so that the Master can accompany him with the berimbau, resulting in only one berimbau and one pandeiro. Master Bimba begins his chant, “Oi, Sim, Sim, Sim, Oi Não, Não, Não”… now with participation in the chorus from his “pastoras,” including his wife Dona Alice. The palmeado happens in Ijexá’s rite (1, 2, 3) and in the palm of terreiro. The chant changes to “Vou dizer a meu senhor, que a manteiga derramô” and we see the third pair at the foot of the berimbau, Camisa Roxa and Saci. In the background, behind the Master, standing, we see Master Piloto, and nearby, sitting on the bench in a white shirt, is Dr. Decanio. I “believe” the source of research was Grupo de Estudo Regional Baiana (WhatsApp) – ADM – Leco/Laecio Souza.
A turma de Bimba!! Esse vídeo histórico recebeu tratamento de imagem e som e ainda acrescentamos como em muitos vídeos nossos a identificação dos personagens presentes e informações sobre o material, claro que pode carecer de mais acréscimos, mas isso deixamos por conta dos comentários aos vídeos, pois é o que deixa mais rico cada vídeo nosso. A data é 1968 (finalização da edição) porém as filmagens possam ter ocorrido em 1967, esse é um trecho de um documentário da TV francesa INA.fr e que vai até ao Pelourinho registrar essa preciosidade histórica para nosso estudo da capoeira. Mestre Bimba senta no banco e inicia o toque de cavalaria em quanto a Câmara registra os quadros das turmas de formados da Capoeira Regional, fotografias provavelmente de apresentações e jogos de capoeira, para além dos famosos cartazes menos próprios, mas normalizados para a época, podemos ver captados pela câmara ainda, alguns berimbaus pintados pendurados na parede. Com a presença apenas de um único berimbau, sem acompanhamento de pandeiros o ritmo do início da roda é em São bento Grande da Regional, é de se notar a indumentária (roupas) que os capoeira utilizam, com ou sem camisa e utilizando caças e calçados do dia a dia, notamos a entrada de Atelino, o relâmpago da Capoeira (Existe um livro lançado pelo Mestre Itapoan com uma longa entrevista com o mesmo), Atelino adentra a academia e atravessa a roda, nota-se seu grau de importância quando vemos o Mestre saci prontamente levantando-se e cedendo o lugar para ele, que desse momento em diante seguirá ao lado do Mestre Bimba (Notamos hierarquia? ) Segue-se o corrido “Oi sim, sim, sim, oi não, não, não”…
Seguem para o pé do Berimbau Saci e Prada, eu já havia ouvido nos dias de hoje, falarem que na Regional não existia agachamento para sair para o jogo, não é o que o vídeo mostra, no entretanto vamos esperar que alguém nos explique essa “contradição” aqui nos comentários ao vídeo. Na academia vemos dois círculos pintados no chão, um menor no centro e um maior em volta, os dois nas mesmas cores. Sentado ao fundo no lado direito do Mestre vemos o Mestre Gigante de óculos escuro e fumando. Na segunda volta vemos um jogo acompanhado somente pelo berimbau sem o palmeado. Quem está jogando é Baiano Anzol (calça preta, que leva uma cabeçada) com ..? – Mestre Baiano Anzol afirma que: ” Nessa gravação deram uma meia lua que acertou a câmara e levaram dois meses pra trazer outra lente e continuar o trabalho de gravação” (Texto do Mestre em seu Youtube). Quando começa a terceira volta, Atelino entra com o “bode” (pandeiro) para acompanhar o berimbau, começando atravessado fazendo com o que o Mestre o acompanhe com o berimbau, ficando unicamente um berimbau e um pandeiro. O Mestre Bimba começa seu corrido, “Oi, Sim, Sim, Sim, Oi Não, Não, Não”… e agora já com participação no coro, das suas “pastoras”, entre elas sua mulher Dona Alice. O palmeado se dar no rito Ijexá (1, 2, 3) e na palma de terreiro. O corrido muda para “Vou dizer a meu senhor, que a manteiga derramô” e vê a terceira dupla para o pé do berimbau, Camisa Roxa e Saci. Ao fundo, atrás do Mestre, em pé, vemos o Mestre Piloto, e próximo a eles sentado no banco com uma camisa branca o Dr. Decanio. “acredito” que a fonte de pesquisa foi Grupo de Estudo Regional Baiana (Whatsapp) – ADM – Leco/Laecio Souza.
Today commemorates the death of Zumbi, the last king of Palmares, a quilombo founded by escaped enslaved Africans in Brazil.
This extraordinary community, which thrived in the 17th century, was not just a refuge but a powerful symbol of resistance against the brutalities of slavery and colonialism. Palmares, known for its remarkable ability to withstand repeated Dutch and Portuguese invasions, stands as a testament to the strength and resilience of those who dared to fight for their freedom and dignity.
Zumbi’s leadership was instrumental in uniting diverse groups of enslaved people, immigrants, and indigenous individuals, creating a vibrant society that valued culture, knowledge, and autonomy. This coalition fostered a unique community where different traditions blended harmoniously, allowing members to share their stories and histories while celebrating their distinct identities. As a result, Zumbi became not only a symbol of resistance against oppression but also a beacon of hope for those seeking freedom. Through organized efforts, this society cultivated a sense of belonging and camaraderie, where education and mutual support were paramount. The gatherings held in the heart of this community became crucial for strategizing against their oppressors, empowering individuals and enhancing their collective resolve to fight for justice and dignity.
As a capoeirista, I see it as my duty to resist not only in honor of Zumbi and the legacy of Palmares but also to continue the fight against modern forms of oppression that still persist today, ensuring that their spirit lives on in our struggles for justice and equality. This commitment drives me to engage actively in community organizing and education, empowering others to recognize the injustices that permeate our society.
In every movement and every stroke of my craft, I channel the voices of those who fought before us, reminding us that our art is not merely a dance but a powerful weapon against inequality. I strive to foster a sense of unity and resilience among my peers, motivating us to carry forward the torch of liberation and to confront systemic challenges with courage and creativity. Together, we embody the hope for a future where freedom, respect, and dignity are not just ideals, but lived realities for all.
Rei Zumbi de Palmares
A história nos engana
Dizendo pelo contrário
Até diz que a abolição
Aconteceu no mês de maio
A prova dessa mentira
É que da miséria eu não saio
Viva 20 de novembro
Momento pra se lembrar
Não vejo em 13 de maio
Nada pra comemorar
Muitos tempos se passaram e o negro sempre a lutar
Zumbi é nosso herói Zumbi é nosso herói, colega velho
De plamares foi senor
Pela causa do homem negro
Foi ele quem mais lutou
Apesar de toda luta, colega velho
Negro não se libertou, camarada!
The history deceives us.
Saying otherwise
Even says abolition
It happened in the month of May.
The proof of this lie
I can’t get out of misery.
Viva November 20th
Moment to remember
I do not see on May 13th.
Nothing to celebrate.
Many times have passed and the black man has always fought.
Zumbi is our hero Zumbi is our hero, dear old friend
Este é um documentário abrangente sobre a vibrante cidade de Salvador, focando especificamente nas semanas animadas do Carnaval de 1974, uma época em que as ruas explodiam em música, cor e expressão cultural. O filme é inspirado no livro homônimo do renomado autor brasileiro Jorge Amado, mostrando a rica história e tradições da cidade durante este período festivo. Através de entrevistas com os moradores, filmes de arquivo e narrativas cativantes, o documentário busca capturar a essência de Salvador, destacando a importância do Carnaval não apenas como uma celebração, mas também como um reflexo da herança diversa e do espírito comunitário da cidade.
(This is a comprehensive documentary about the vibrant city of Salvador, focusing specifically on the lively weeks of the Carnival in 1974, a time when the streets burst with music, color, and cultural expression. The film draws inspiration from the eponymous book by the renowned Brazilian author Jorge Amado, showcasing the rich history and traditions of the city during this festive period. Through interviews with locals, archival footage, and captivating narratives, the documentary aims to capture the essence of Salvador, highlighting the significance of Carnival not only as a celebration but also as a reflection of the city’s diverse heritage and community spirit.)
(Synopsis: Written in 1944, Bahia de Todos os Santos is a narrative about the city of Salvador published the following year. A song of praise to the city of Bahia, the book avoids the picturesque nature of tourist guides. It reviews the beauty and qualities of the capital of Bahia and also addresses its missions and pains. Jorge Amado composes here a guide to the streets and the mysteries of São Salvador da Bahia de Todos os Santos, the city of Bahia, “black by excellence,” founded in 1549. The author describes the working-class and noble neighborhoods, the fairs and markets, the countless hills and streets of the city, and especially the mythical characters of the city of São Salvador. The adaptation of Jorge Amado’s work for the 1970s faced difficulty in finding the new characters from the candomblé rhythms, the masters of the saveiros, the Mães de Santo from the terreiros, the artisans of Mercado Modelo, and the tricksters from Baixa dos Sapateiros. The writer recommends that one should not try to decipher the secrets of the city, as its mysteries completely involve the body, soul, and heart of the Bahian people. But the characters were there! We found Mário Cravo, Gilberto Gil, Mestre Pastinha, Mestre Waldemar, and during Carnival, the Trio Elétrico of Dodô and Osmar, and even the captains of Areia from the new times.)
Bahia de todos os santos Bahia dos orixás Bahia de menininha Menininha do gantois
Bahia de todos os santos Bahia dos orixás Bahia de menininha Menininha do gantois
Bahia dos angoleiros Bahia dos regional Bahia dos angoleiros No mercado popular
Bahia dos angoleiros Bahia dos regional Bahia dos angoleiros No mercado popular
Bahia de João Pequeno Bahia de Curió Bahia de Boca Rica Mestre Lua de Bobó
Bahia de João Pequeno Bahia de Curió Bahia de Boca Rica Mestre Lua de Bobó
All Saint’s Bahia The Orixás Bahia Little girl’s Bahia Little girl of the gantois
All Saint’s Bahia The Orixás Bahia Little girl’s Bahia Little girl of the gantois
The angoleiros’ Bahia The regional’s Bahia The angoleiro’s Bahia At the public market
The angoleiros’ Bahia The regional’s Bahia The angoleiro’s Bahia At the public market
João Pequeno’s Bahia Curió’s Bahia Boca Rica’s Bahia Mestre Lua de Bobó’s Bahia
João Pequeno’s Bahia Curió’s Bahia Boca Rica’s Bahia Mestre Lua de Bobó’s Bahia
Just saw this short documentary and I had to post it… I might have posted it before, but in case I didn’t… well, here it is. In case I did, well.. Here it is again.
This is a small documentary excerpt from a workshop that Master Cobra Mansa held at Towson University in May 2012. This short film not only highlights the life of Master Cobra, a beloved figure in the Capoeira community, but it also delves into the rich history and cultural significance of Capoeira itself. Viewers will gain insight into the Black Resistance Movement, which forged pathways for empowerment and resilience among marginalized communities, as well as the foundational principles of Kilombo Tenode, a concept that embodies Pre-maculture practices within Capoeira Angola.
This captivating documentary skillfully captures the essence of interconnected themes through a series of engaging interviews, vibrant demonstrations, and rich storytelling, inviting audiences from all walks of life to reflect deeply on the remarkable and enduring legacy of Master Cobra’s teachings and their profound impact on individuals and communities alike. Through its meticulously curated visuals and narratives, the film not only highlights the transformative power of Master Cobra’s philosophy but also explores how these teachings have transcended generations, fostering a sense of unity and purpose. Audience members are encouraged to embark on a personal journey of introspection, as they witness firsthand the inspiring stories of those who have embraced these teachings, ultimately showcasing the universal truths that bind us together in our shared human experience.
Shout out to YouTube channel Movimento Popular Da Capoeira for uploading this informative and engaging video that showcases the beauty and richness of Capoeira, a Brazilian martial art that combines elements of dance, acrobatics, and music. Their dedication to promoting this cultural heritage is truly commendable. If you’re interested in exploring more about Capoeira and its vibrant community, you can click HERE to go to their channel, where you’ll find a treasure trove of content that not only highlights the techniques and history of the art but also features interviews with practitioners and learners alike, making it a fantastic resource for both enthusiasts and newcomers.
I’m changing the name of the “SCAMS AND SCAMMERS” series, into “MALANDROS IN ACTION”, where we delve into what I would like to call the “Modern malandro”, in today’s society. We will cover soe of the strategies they use with the hope that we don’t fall for them.
I cover the definition of a Malandro in another PAGE, but to summarize:
A malandro embodies cunning and trickery, skillfully navigating life through deception in various realms like love and business. This archetype is celebrated for resourcefulness yet condemned for a lack of morals, often depicted in folklore as a cautionary figure or symbol of rebellion. While typically associated with self-serving behavior, a malandro may use malandragem not to harm others but to escape unfair situations, even if it involves illegalities.
In fiction, malandragem serves as a wit device, characteristic of an antihero.
So, in this installment…
Today’s new era of con artists aren’t the hardened, film noir criminals of the past; they’re slick, manipulative social media scammers, or glamorous-looking hustlers determined to fake it until they make it. These modern tricksters are adept at crafting a polished persona online, utilizing platforms such as Instagram and TikTok to curate elaborate narratives that captivate unsuspecting followers. They seek power through first creating an image or idea around themselves, enticing others with promises of wealth, success, and happiness that seem within reach.
Con artistry is not just a desperate act; it’s about gaming the system to accrue influence and status, and then leveraging that into concrete gains. As they manipulate sentiments and exploit trust, the lines between authenticity and fabrication blur, creating a complex landscape where deception flourishes. This phenomenon has become even more pronounced in the digital age, where social media and online platforms serve as fertile ground for skilled manipulators to thrive. The accessibility of information allows con artists to craft meticulously tailored narratives that ensnare their targets, making it increasingly difficult for individuals to discern truth from fiction. Here’s our take on the modern con artist, and whether today’s scams and hustles are just becoming something we’re all expected to take part in, blurring the distinction between right and wrong in a society increasingly enthralled by the illusion of success. As we reflect on this unsettling trend, it raises critical questions about our collective moral compass and the values we hold dear in an era where the perception of success often trumps authenticity.
“There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. There are not more than five primary colours, yet in combination, they produce more hues than can ever been seen. There are not more than five cardinal tastes, yet combinations of them yield more flavours than can ever be tasted.” ― Sun Tzu, The Art of War“
Capoeira Angola is a defensive martial art known for its intricate trap-like defenses designed to catch opponents off guard. It encompasses 8 basic defenses, each with unique unexpected attacks and counter attacks based on the opponent’s positioning. Mastery of these movements enables capoeiristas to defend against individuals carrying various weapons, including sticks, clubs, knives, and potentially even firearms with the appropriate skills.
For those of you out there who don’t know about Capoeira Angola, what you’re watching above is the most fundamental technique and concept of Capoeira: the GINGA.
This unique movement serves as the heartbeat of Capoeira, allowing practitioners to flow seamlessly between offense and defense while maintaining rhythm and connection to the music. The GINGA not only embodies the essence of the art form but also offers a means of communication between participants, engaging them in a dynamic dialogue of movement. As one shifts from side to side, the body becomes a vessel of expression, showcasing agility, creativity, and cultural heritage. Mastering the GINGA is essential for anyone looking to delve deeper into the rich world of Capoeira Angola and truly appreciate its beauty and history.
Now, here’s a video of my friend Cheyenne Amen, giving you a more detailed definition of what the ginga is, along with its historical significance and how it is practiced in various contexts. In this video, Cheyenne breaks down the movements and techniques involved, demonstrating not just the physical aspects of the ginga, but also its cultural importance and its role in performances and martial arts.
And here is Da’Mon Stith of Austin Warrior Arts, demonstrating the dynamic and fluid movement of the Ginga within the context of combat. As he showcases this foundational step, he emphasizes its importance not only as a form of footwork but also as a way to create distance, maintain balance, and set up for various striking or defensive maneuvers.
So, why do we do the ginga? what advantages can a capoeirista gain from the ginga? Well…
The ginga not only enables you to move fluidly from one spot to another, while maintaining a suitable posture to defend or attack at all times, but it also serves as a fundamental building block of capoeira’s dynamic movement. With the ginga, you have the ability to change your position seamlessly, and even encircle a stationary opponent, thereby putting them at a disadvantage. Furthermore, since your body is already in motion, this allows you to deliver quicker and more powerful blows, enhancing your ability to react with greater speed when defending yourself against incoming attacks. As you continuously change your position, you’re not presenting your opponent with a fixed, stationary target; instead, you resemble a shadow, elusive and unpredictable, much like bobbing and weaving in boxing.
This unpredictability can be crucial in the heat of the fight, as it keeps your opponent guessing and hesitant. Additionally, the ginga lulls an opponent into a state of expectancy, a psychological advantage that a skilled capoeirista can exploit by swaying instead of stepping back. In this way, they can achieve the opposite profile of the fighter, thus cleverly delivering their attack from an unexpected angle. Although the primary purpose of the ginga is defensive, it also serves as the initial position for unleashing powerful offensive blows. Moreover, the leg that steps back can strike with significantly more power when it’s quickly brought forward than if it remains planted, creating an explosive counter-attack that can catch even the most seasoned opponents off guard. This interplay of motion and strategy highlights the beauty and complexity of capoeira, making it a unique blend of art, sport, and fight.
Now, I want to discuss the most important aspect of the ginga: making the ginga you own.
You see, over the last several decades, Capoeira has been subject to a process of standardization that has led to a homogenization of styles and techniques. While this standardization has facilitated its propagation across different regions and cultures, making it more accessible to new practitioners, and easier to learn, it has also attenuated many parts of its essence, dulling the vibrancy and authenticity that once characterized it.
It is crucial that we find ways to celebrate individuality within Capoeira, allowing each practitioner to connect with their heritage and express themselves fully. By doing so, we not only honor the traditions and teachings passed down through generations, but we also foster an environment where creativity thrives, enabling practitioners to innovate and reinterpret the art form in ways that resonate with their personal experiences. Moreover, embracing diversity within the practice of Capoeira can lead to a more vibrant and dynamic community, where shared stories and varied styles enhance the overall experience, strengthening the bond among practitioners while preserving the intricate history that gives Capoeira its unique identity.
The ginga, more than simply being a 2 step footwork pattern, is meant to reflect something intrinsic about how you move, how you embody the art, and about your personality. It serves as a fundamental expression of rhythm and balance, intertwining both grace and strength. In groups where practitioners are allowed to express Capoeira more naturally, you see this unique embodiment manifest in a variety of fluid movements and improvisations that tell individual stories, enriching the art form as a whole. Each movement speaks volumes, echoing the experiences and emotions of its practitioner, revealing a deep connection to cultural roots and personal journeys. When you watch old footage of Capoeira, you see this richness and diversity alive in the participants, each one bringing their own flair, spirit, and history to the art, contributing to a vibrant tapestry of life that celebrates both the past and the present.
The interplay of styles and expressions not only showcases the individual’s creativity but also fosters a sense of community and shared identity, making Capoeira a living, breathing organism that evolves with every practitioner.
So, if the “spirit” is lost, how do you get it back?
As far as I’m concerned, the solution is partly one of recognizing the purpose of the ginga and the movement philosophy that is implicit in Capoeira itself, which encourages freedom and personal interpretation of movement. This recognition is not just about understanding the movements; it is also about embracing the idea that every practitioner brings their essence into the practice, enriching the overall experience.
The second part involves learning or re-learning this philosophy and consistently practicing in this way to internalize it as part of one’s training. It requires dedication and an open mind, a willingness to explore the boundaries of one’s comfort zone and to challenge the status quo of movement. Again, in some settings, this more expressive style may be unwelcome, especially in environments fixed on “tradition” and rigid forms that do not allow room for innovation or personal flair. Hence, part of the solution is to actively seek out and train with mestres and groups that embrace such an innovative and open approach to movement. These mentors can provide invaluable insights and guidance, fostering a richer learning experience and a deeper connection to the art form, ultimately creating a community that celebrates diversity in expression and encourages its members to flourish as both individuals and artists.
Just a reminder to those of you who enjoy watching and playing Capoeira… Never forget why capoeira and related arts were created in the first place. The origins of Capoeira are deeply rooted in the history of resistance and resilience, born out of the struggles of enslaved Africans in Brazil. It was not just a form of dance but a means of self-defense, a cultural expression, and a way to unite communities. As you practice and participate in this beautiful art form, reflect on its rich heritage and the spirit of freedom it embodies. Embrace the rhythm, the movements, and the camaraderie, but always remember the significance behind each kick, each spin, and each beat of the berimbau. It’s this understanding that enriches the experience and honors those who came before us.
In this video, we explore the dark and tragic history of the transatlantic slave trade, focusing on the countries that built their wealth and power through the exploitation of African people. This inhumane venture was not only a moral failing but also a systematic process that dismantled countless communities across the African continent, causing deep cultural disruptions and the loss of ancestral heritage. From the European nations that initiated and expanded the trade to the colonies that fueled their economies on the backs of enslaved labor, we examine how black slavery created immense fortunes for some while leaving a legacy of injustice and inequality that persists to this day. We also delve into the personal stories of those affected, shedding light on the resilience and resistance of the enslaved, who fought against their circumstances in various forms, from open rebellion to subtle acts of defiance. By understanding this complex history, we can confront the ongoing ramifications of the slave trade and work toward reconciliation and healing in modern society.
The heart-wrenching stories of those who resisted, escaped, and fought against this oppression reveal the indomitable spirit of human resilience, showcasing the incredible bravery and determination that existed even in the darkest of times. Join us as we uncover the harsh realities and lasting impacts of this brutal chapter in history, exploring the specific ways in which the profits from this exploitation still resonate in today’s global economy and perpetuate systemic inequalities that continue to affect millions around the world. These narratives not only highlight individual acts of courage but also reflect a collective struggle for dignity, freedom, and justice that transcends generations.
By bringing to light the connections between past injustices and present-day issues, we aim to foster a deeper understanding of how we can collectively work towards a more just and equitable future. This understanding is essential, as it not only highlights the impact of historical events on current societal structures but also illustrates the importance of recognizing our shared responsibility in addressing these challenges. Emphasizing the importance of education, awareness, and advocacy, we believe that these elements are crucial in dismantling the lingering legacies of oppression and inequality that still challenge our society today. By engaging in open dialogues and encouraging critical thinking, we can empower individuals to take informed actions, fostering a culture of empathy and respect. As we create spaces for marginalized voices and experiences to be heard, we cultivate a community that is dedicated to justice and inclusive progress, striving together to formulate solutions that will lead us toward a brighter and more equitable future for all.
Jogo Corpo Fechado 