I came accross this video, and I thought it was a good way to handle such a situation, without becoming violent, as so many people do.
Tamo, a popular TikToker well-known for his engaging livestreams focused on Pokémon cards and various video games, found himself facing a distressing racist insult during one of his streams. This incident ignited an important discussion among noted commentators Dr. Rashad Richey and Jackson White on their show Indisputable, where they examined the implications of such hateful remarks in online gaming communities. They emphasized the need for greater awareness and accountability in digital spaces, as well as the importance of supporting content creators like Tamo who bravely confront such negativity.
I ran across this video, and I thought I’d post it here.
Katt Williams criticizes Jillian Michaels for her comments on CNN about slavery, questioning why black people are expected to “forget” their historical trauma while other groups receive recognition and support. He points out the inconsistency in how historical injustices are acknowledged, highlighting that despite Michaels’ claim that only 2% of white Americans owned slaves—which is inaccurate—she faces no repercussions for trivializing slavery. This claim not only simplifies a complex history but also undermines the lived experiences of countless individuals affected by the ramifications of slavery.
Williams emphasizes that his commentary goes beyond humor, as he provides evidence to challenge and dismantle Michaels’ views, citing historical data and personal narratives that illustrate the deep and lingering effects of slavery on African American communities. He argues that it’s crucial for society to confront these uncomfortable truths rather than dismiss them, advocating for a greater understanding and dialogue about racial injustice and its impact on contemporary life. Through his passionate advocacy, Williams seeks to inspire others to engage in conversations that honor the past while pushing for a more equitable future.
Welcome to NAMED AND SHAMED, a platform exposing abuse in martial arts through personal accounts and expert interviews. We aim to raise awareness about the need for safe environments for affected individuals, empowering victims with a voice and community. Inspired by McDojo Life, our mission promotes transparency and accountability in the martial arts community, fostering discussions that prioritize safety and respect, allowing individuals to train without fear and grow in their martial arts journey.
Today, we cover the Zuma Martial Arts Scandal, delving into the details surrounding the events that shook the martial arts community.
The Zuma Martial Arts scandal involves multiple allegations of sexual harassment and misconduct against the owner and head coach of Zuma Martial Arts, Adam Zugec, in Victoria, British Columbia. Multiple women have come forward with accusations detailing inappropriate behavior, including unwanted advances and coercive tactics that created a hostile training environment. These revelations have sparked outrage within the local community and beyond, leading to calls for accountability and justice for the victims. In response to these serious claims, the Victoria Police Department is conducting a thorough investigation into the matter, examining the evidence and testimonies presented by the accusers. The outcome of this inquiry could have significant implications not only for Zugec but also for the broader culture within martial arts organizations.
The martial arts community should prioritize empowerment and confidence by addressing negative behaviors and providing education on misbehavior in a comprehensive manner. This includes not only recognizing and correcting such behaviors but also instilling a culture of respect and accountability among members. Open discussions and mentorship foster trust, unity, and collaboration, creating a supportive environment where members inspire each other and build strong relationships to face challenges and celebrate successes together. By encouraging personal growth and development, we enhance the collective strength of our community, allowing every individual to flourish while learning valuable lessons in discipline, perseverance, and compassion. This holistic approach not only cultivates skilled martial artists but also responsible citizens who uplift one another in and out of the dojo.
Welcome to another addition to the “ROOTS OF CAPOEIRA” blog series, which explores the importance of Afro-Brazilian culture in Capoeira, highlighting the connection with the heritage of the AFRO-BRAZILIAN PEOPLE who express their creativity and resilience through art forms like dance, music, and storytelling. This rich cultural tapestry weaves together historical narratives and personal experiences, emphasizing how each element of Capoeira serves not only as a means of self-defense but also as a vital expression of identity and heritage. By understanding these cultural roots, I hope that you can appreciate Capoeira as both a self-defense practice and a unifying cultural expression celebrating shared heritage, where every movement and song embodies a story and every encounter reinforces the legacy of Afro-Brazilian culture. In delving into the interplay between tradition and innovation, we invite our audience to recognize Capoeira not only as a martial art but also as a living tradition, continuously evolving while remaining anchored in its historical significance.
In today’s installment…
What you see in the above video, is a festival called, Nego Fugido, which loosley translated means, Runaway Negro.
The nego fugido is an annual ritual performance in Acupe, Brazil, that reenacts the dehumanization of slavery and the struggle for emancipation. It serves as a form of memorial mediation where the Quilombola community reappropriates its history through a counter-narrative of oppression and resistance, linking art, politics, spirituality, and collective memory. The performance powerfully portrays the history of subjugated people and their tireless struggle for freedom from slavery, shedding light on the cultural richness and resilience often overshadowed by narratives of oppression. Participants create living images (tableaux vivants) that embody the memory of oppression and the resistance of those who were enslaved, communicating not just a story, but an experience etched in the hearts and minds of generations. In contrast to dominant historical accounts, Nego Fugido creates a sovereign counter-narrative from the perspective of those whose history has been suppressed or erased, serving as a radical assertion of identity and dignity. This ritual stands as a testament that the past is not a distant memory but a living influence on the present.
The ritual is a way for the Quilombola community to reclaim its past, reinterpreting its colonial heritage in the context of the present, imbuing contemporary culture with historical significance that resonates with today’s struggles for justice. It operates at the intersection of art, politics, spirituality, and the transmission of knowledge, fostering solidarity and common purpose among participants and the audience. The collective act prompts questions about whose voices shape historical memory and who determines the narratives that form a nation, inviting reflection on the nature of truth, memory, and the continual journey towards liberation. Through this performance, the Quilombola community not only honors the ancestors but also challenges prevailing injustices, forging a path towards a more inclusive future grounded in recognition and respect for all histories.
Jogo Corpo Fechado 