BAHIA DE TODOS OS SANTOS “(Bahia, the bay of all saints)”

Este é um documentário abrangente sobre a vibrante cidade de Salvador, focando especificamente nas semanas animadas do Carnaval de 1974, uma época em que as ruas explodiam em música, cor e expressão cultural. O filme é inspirado no livro homônimo do renomado autor brasileiro Jorge Amado, mostrando a rica história e tradições da cidade durante este período festivo. Através de entrevistas com os moradores, filmes de arquivo e narrativas cativantes, o documentário busca capturar a essência de Salvador, destacando a importância do Carnaval não apenas como uma celebração, mas também como um reflexo da herança diversa e do espírito comunitário da cidade.

(This is a comprehensive documentary about the vibrant city of Salvador, focusing specifically on the lively weeks of the Carnival in 1974, a time when the streets burst with music, color, and cultural expression. The film draws inspiration from the eponymous book by the renowned Brazilian author Jorge Amado, showcasing the rich history and traditions of the city during this festive period. Through interviews with locals, archival footage, and captivating narratives, the documentary aims to capture the essence of Salvador, highlighting the significance of Carnival not only as a celebration but also as a reflection of the city’s diverse heritage and community spirit.)

Sinopse: Escrito em 1944, Bahia de Todos os Santos é um relato sobre a cidade de Salvador publicado no ano seguinte. Canto de louvor a cidade da Bahia, o livro evita, por isso, o pitoresco dos guias turísticos. Passa em revista as belezas e as qualidades da capital baiana, e faz Questão de abordar também suas missões e dores. Jorge Amado compõe aqui um guia das ruas e dos mistérios de São Salvador da Bahia de Todos os Santos, a cidade da Bahia, ?negra por excelência?, fundada em 1549. O autor descreve os bairros proletários e os nobres, as feiras e os mercados, as inúmeras ladeiras e ruas da cidade e principalmente os personagens míticos da cidade de são Salvador. A adaptação da obra de Jorge Amado para os anos 70 encontrou dificuldade para encontrar os novos personagens dos batuques do candomblé, os mestres dos saveiros, as Mães de Santo dos terreiros, os artesões do Mercado Modelo, os malandros da Baixa dos Sapateiros. O escritor recomenda que não se tente decifrar os segredos da cidade, pois seus mistérios envolvem por completo o corpo, a alma e o coração dos baianos. Mas os personagens estavam lá¡ e fomos encontrar Mário Cravo, Gilberto Gil, Mestre Pastinha, Mestre Waldemar, e em pleno Carnaval o Trio Elétrico de Dodô´ e Osmar e até mesmo os capitães de Areia dos novos tempos.

(Synopsis: Written in 1944, Bahia de Todos os Santos is a narrative about the city of Salvador published the following year. A song of praise to the city of Bahia, the book avoids the picturesque nature of tourist guides. It reviews the beauty and qualities of the capital of Bahia and also addresses its missions and pains. Jorge Amado composes here a guide to the streets and the mysteries of São Salvador da Bahia de Todos os Santos, the city of Bahia, “black by excellence,” founded in 1549. The author describes the working-class and noble neighborhoods, the fairs and markets, the countless hills and streets of the city, and especially the mythical characters of the city of São Salvador. The adaptation of Jorge Amado’s work for the 1970s faced difficulty in finding the new characters from the candomblé rhythms, the masters of the saveiros, the Mães de Santo from the terreiros, the artisans of Mercado Modelo, and the tricksters from Baixa dos Sapateiros. The writer recommends that one should not try to decipher the secrets of the city, as its mysteries completely involve the body, soul, and heart of the Bahian people. But the characters were there! We found Mário Cravo, Gilberto Gil, Mestre Pastinha, Mestre Waldemar, and during Carnival, the Trio Elétrico of Dodô and Osmar, and even the captains of Areia from the new times.)

Bahia de todos os santos
Bahia dos orixás
Bahia de menininha
Menininha do gantois

Bahia de todos os santos
Bahia dos orixás
Bahia de menininha
Menininha do gantois

Bahia dos angoleiros
Bahia dos regional
Bahia dos angoleiros
No mercado popular

Bahia dos angoleiros
Bahia dos regional
Bahia dos angoleiros
No mercado popular

Bahia de João Pequeno
Bahia de Curió
Bahia de Boca Rica
Mestre Lua de Bobó

Bahia de João Pequeno
Bahia de Curió
Bahia de Boca Rica
Mestre Lua de Bobó

All Saint’s Bahia
The Orixás Bahia
Little girl’s Bahia
Little girl of the gantois

All Saint’s Bahia
The Orixás Bahia
Little girl’s Bahia
Little girl of the gantois

The angoleiros’ Bahia
The regional’s Bahia
The angoleiro’s Bahia
At the public market

The angoleiros’ Bahia
The regional’s Bahia
The angoleiro’s Bahia
At the public market

João Pequeno’s Bahia
Curió’s Bahia
Boca Rica’s Bahia
Mestre Lua de Bobó’s Bahia

João Pequeno’s Bahia
Curió’s Bahia
Boca Rica’s Bahia
Mestre Lua de Bobó’s Bahia

TODAY IN BLACK MEDIA (10/10/24)

Welcome to TODAY IN BLACK MEDIA, the go-to source for news, cultural events, and thought-provoking discussions from an African American perspective. Our platform is dedicated to shedding light on the rich tapestry of black experiences, amplifying diverse voices, and celebrating the achievements of the black community worldwide.

Join us as we explore the latest developments, delve into thought-provoking analyses, and showcase the vibrant cultural manifestations that shape our collective identity. Whether you’re passionate about current affairs, arts and entertainment, or social justice issues, you’ll find compelling content that resonates with you.

In today’s installment,

When you hear about Brazil, the most common things that come to mind are its natural beauty and cultural riches. The country boasts the Amazon Rainforest, the Pantanal wetlands, and breathtaking beaches like Copacabana and Ipanema in Rio de Janeiro, each drawing millions of visitors eager to experience their stunning landscapes and unique ecosystems. These iconic landscapes are often featured in travel documentaries, advertisements, and films, contributing to Brazil’s image as a paradise for nature enthusiasts and adventure seekers alike. Travelers can engage in a plethora of activities ranging from hiking through lush rainforests to enjoying sun-soaked days on golden sandy shores, making memories that last a lifetime. The vibrant cultural scene is equally enticing, with the country being famous for its music genres like samba and bossa nova, which pulse with rhythm and joy, as well as its lively Carnival celebrations that showcase a mix of color, dance, and enthusiasm that captivates both locals and tourists. To complement this, Brazilian cuisine tantalizes the palate with dishes rich in flavors, incorporating a variety of ingredients that reflect the country’s diverse cultural heritage.

However, while these highlights paint a picturesque image of Brazil, it is essential to recognize that this is all but a facade that fails to portray the real issues with a country that has its ties to the Atlantic Slave Trade, a historical tragedy that still resonates today through socio-economic disparities, cultural struggles, and efforts for reconciliation that continue to shape the nation’s identity. The lingering effects of this dark chapter in history are evident in the stark socio-economic inequalities that persist across various demographics, where marginalized communities often face limited access to education, healthcare, and employment opportunities. Additionally, Brazil’s vibrant cultural tapestry, which celebrates its rich African heritage, is marred by ongoing racial discrimination and prejudice that challenge the nation’s commitment to unity and equality.

 

As the country grapples with these complex legacies, the ongoing dialogues surrounding racial justice and cultural awareness have sparked a revitalized movement for social change, encouraging citizens to confront historical injustices and work towards a more equitable future for all Brazilians. Ultimately, the path to reconciliation remains fraught with difficulties, yet it is a crucial journey that holds the potential to redefine what it means to be Brazilian in a contemporary society marked by both vibrant diversity and painful histories.