Hello everyone.
Welcome to another addition to the “ROOTS OF CAPOEIRA” blog series, which explores the importance of Afro-Brazilian culture in Capoeira, highlighting the connection with the heritage of the AFRO-BRAZILIAN PEOPLE who express their creativity and resilience through art forms like dance, music, and storytelling. This rich cultural tapestry weaves together historical narratives and personal experiences, emphasizing how each element of Capoeira serves not only as a means of self-defense but also as a vital expression of identity and heritage. By understanding these cultural roots, I hope that you can appreciate Capoeira as both a self-defense practice and a unifying cultural expression celebrating shared heritage, where every movement and song embodies a story and every encounter reinforces the legacy of Afro-Brazilian culture. In delving into the interplay between tradition and innovation, we invite our audience to recognize Capoeira not only as a martial art but also as a living tradition, continuously evolving while remaining anchored in its historical significance.
In today’s installment…
What you see in the above video, is a festival called, Nego Fugido, which loosley translated means, Runaway Negro.
The nego fugido is an annual ritual performance in Acupe, Brazil, that reenacts the dehumanization of slavery and the struggle for emancipation. It serves as a form of memorial mediation where the Quilombola community reappropriates its history through a counter-narrative of oppression and resistance, linking art, politics, spirituality, and collective memory. The performance powerfully portrays the history of subjugated people and their tireless struggle for freedom from slavery, shedding light on the cultural richness and resilience often overshadowed by narratives of oppression. Participants create living images (tableaux vivants) that embody the memory of oppression and the resistance of those who were enslaved, communicating not just a story, but an experience etched in the hearts and minds of generations. In contrast to dominant historical accounts, Nego Fugido creates a sovereign counter-narrative from the perspective of those whose history has been suppressed or erased, serving as a radical assertion of identity and dignity. This ritual stands as a testament that the past is not a distant memory but a living influence on the present.
The ritual is a way for the Quilombola community to reclaim its past, reinterpreting its colonial heritage in the context of the present, imbuing contemporary culture with historical significance that resonates with today’s struggles for justice. It operates at the intersection of art, politics, spirituality, and the transmission of knowledge, fostering solidarity and common purpose among participants and the audience. The collective act prompts questions about whose voices shape historical memory and who determines the narratives that form a nation, inviting reflection on the nature of truth, memory, and the continual journey towards liberation. Through this performance, the Quilombola community not only honors the ancestors but also challenges prevailing injustices, forging a path towards a more inclusive future grounded in recognition and respect for all histories.
Jogo Corpo Fechado 