BASIC ELEMENTS OF CAPOEIRA: THE QUEDA DE QUATRO

“There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. There are not more than five primary colours, yet in combination, they produce more hues than can ever been seen. There are not more than five cardinal tastes, yet combinations of
them yield more flavours than can ever be tasted.”
― Sun Tzu, The Art of War

Capoeira Angola is a defensive martial art known for its intricate trap-like defenses designed to catch opponents off guard. It encompasses 8 basic defenses, each with unique unexpected attacks and counter attacks based on the opponent’s positioning. Mastery of these movements enables capoeiristas to defend against individuals carrying various weapons, including sticks, clubs, knives, and potentially even firearms with the appropriate skills.

In this installment, I will introduce you to another fundamental technique and concept of Capoeira… The Queda de Quatro.

 

As you can see, The Queda de Quatro is a simple yet highly effective defensive move in capoeira, where the capoeirista falls backwards and catches himself with both hands, creating a dynamic transition in the flow of movement. If he extends his knees before catching himself with his hands backward, you end up at a much greater distance from your opponent, allowing for a more strategic repositioning that can be pivotal in a match.

This technique not only aids in evading oncoming attacks but also opens up opportunities for counter-attacks or evasive maneuvers. Moreover, as you can also see, this posture is particularly useful against frontal attacks, as it enables the capoeirista to redirect their energy and momentum, turning the tables on their adversary while maintaining a strong, controlled stance from which to either defend or retaliate.

The versatility and adaptability of the Queda de Quatro make it a foundational skill in the capoeira repertoire, highlighting the art’s emphasis on fluidity, balance, and strategic thinking in combat scenarios.

I think I should mention here that all the basic elements that we discussed in previous posts can be easily and rapidly transformed into the other by simply readjusting the body, and changing your hands or feet. This fluidity is vital as it allows for a seamless transition between different movements, enhancing your overall agility and responsiveness.

 

Also, in executing any of these elements, neither the body, nor the buttocks touches the ground, only the hands and feet. This is essential for “springing the trap” on your unsuspecting opponent, as maintaining this elevated position not only allows for the ability to move swiftly but also maximizes your agility, enabling you to quickly regain your balance and launch into your next move, keeping your opponent guessing and off-balance.

The hands serve as strong supports, propelling you into various angles and positions that make it difficult for your adversary to predict your actions. The ability to utilize such dynamic transitions, whether through a swift roll or a surprising flip, greatly increases your competitiveness and effectiveness in any physical encounter, as it demonstrates a mastery of both technique and strategy. This intricate dance of motion requires immense control and precision, making these fundamental techniques indispensable for serious practitioners who seek to elevate their skills and gain the upper hand in combat situations.

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