All instruments were made by man, the voice is the only instrument which was made by God. -Sufi Saying

Hi Everyone,

On the LAST PAGE, I shared with you my thoughts on what I believe constitutes the HEART of Capoeira, it’s music.

Now, I’m gonna share with you what I believe is the SOUL of Capoeira, it’s songs.

 

MAIOR E DEUS

Iê
Maior é Deus
Maior é Deus
Pequeno sou eu
O que eu tenho
foi Deus que me deu
O que eu tenho
foi Deus que me deu
Na roda da capoeira(HAHA)
Grande e pequeno sou eu 

~MESTRE PASTINHA

Hello everyone,

On the last page, we took a look at why we have music in capoeira, and how it affects us in general. Now, I want to take us a little deeper, and showcase another aspect of Capoeira that affects us, and what we capoeiristas draw strength, and much wisdom from. And that of course, are the SONGS of capoeira.

Exploring the significance of the songs in capoeira offers us a profound understanding of this rich art form. The melodies and rhythms woven into the fabric of capoeira not only serve as a soundtrack for the physical movements but also hold deep cultural, historical, and spiritual meanings. These songs, often accompanied by traditional instruments, convey the stories and traditions of the Afro-Brazilian heritage, reflecting the struggles and resilience of the enslaved people who created and practiced capoeira as a form of resistance.

The melodies and lyrics of capoeira songs carry the wisdom of generations, preserving narratives of survival, freedom, and solidarity. Through their verses, capoeiristas learn about the values, customs, and philosophy of this martial art, passing them down through the oral tradition. The songs serve as a repository of knowledge, offering guidance, inspiration, and a profound connection to the roots of capoeira.

Furthermore, the act of singing during capoeira roda not only adds a musical dimension but also enhances the communal experience, fostering a sense of unity among participants. Each song has its unique energy and symbolism, setting the mood and pace of the game while evoking emotions that deepen the bond between practitioners. As capoeiristas immerse themselves in the lyrics and melodies, they tap into a wellspring of strength, resilience, and camaraderie, enriching their practice both physically and spiritually.

In essence, the songs of capoeira serve as an integral part of its cultural tapestry, carrying stories, values, and a sense of belonging for those who embrace this art form. They are not merely musical accompaniments but pillars that uphold the essence of capoeira, providing a source of inspiration and wisdom for all who seek to understand its profound significance.

THE SONGS

The songs in capoeira hold a significant place in the cultural and historical context of early Brazilian life. By delving into the lyrics and understanding the music, individuals can gain valuable insights into the heritage and tradition that have shaped the practice of capoeira. The unique combination of call and response format and narrative-style songs adds depth to the cultural significance of capoeira’s musical traditions. These songs not only serve as a means of cultural guidance but also play a pivotal role as educators, passing down the rich history and teachings of capoeira.

Capoeira’s songs span a wide range of topics and themes, reflecting the diversity of experiences and emotions encompassed within the practice. From recounting historical accounts and tales of renowned capoeiristas to inspiring players to elevate their performance, the songs encapsulate the multifaceted nature of capoeira. Within the lyrics, one can also find expressions of everyday life, including themes of love and loss, as well as lighthearted and playful verses that add an element of joviality to the tradition.

This profound intertwining of music, storytelling, and cultural expression underscores the integral role of songs in preserving capoeira as a dynamic cultural force. As individuals connect with the music on a personal level, they become part of the ongoing legacy of capoeira, contributing to its continuity as a vibrant and enduring tradition.

Capoeira songs can talk about basically anything, whether it’s about a historical fact, a famous capoeirista, trivial life facts, hidden messages for players, anything. Improvisation is very important also, while singing a song the main singer can change the music’s lyrics, telling something that’s happening in or outside the roda.

There are three basic kinds of songs in capoeira angola, the Ladaínha, Louvacao, and the Corrido.

THE LADAINHA

The roda begins with the LADAINHA (litany), a solo often sung by the most senior member present, usually the one playing lead berimbau.Now although the ladainha is often thought of as from capoeira angola, the tradition actually predates the 20th Century, and therefore the stratification of Capoeira.

The ladainha holds a deep significance in the capoeira tradition, serving as a means of invoking ancestral wisdom, setting the tone for the roda, and paying homage to the history and spirit of capoeira. Its emotive melodies and profound lyrics resonate with the experiences and struggles of the enslaved Africans who developed this art form in colonial Brazil. This oral tradition has been passed down through generations, preserving the essence of capoeira as both a martial art and a cultural expression.

As the lead berimbau sets the rhythm and the ladainha fills the roda with its evocative verses, participants enter a communal space where the spiritual, musical, and physical elements of capoeira converge. The ladainha encapsulates the resilience, creativity, and collective memory of the Afro-Brazilian community, transcending time and geographical boundaries.

Through the ladainha, the rich heritage of capoeira is honored, and its role as a vehicle for empowerment and solidarity is reaffirmed, ensuring that its legacy endures for future generations to embrace and celebrate.

Mestre Pastinha, a legendary figure in the world of capoeira, had a unique and deeply traditional approach to the art form. His use of “SEXTETOS”, compositions consisting of six verses, to open his rodas speaks to the rich cultural and historical significance of capoeira.

It is fascinating to observe how such artistic and rhythmic elements were meticulously woven into the fabric of capoeira practice, adding depth and meaning to the experience. The link provided offers a glimpse into this tradition, allowing us to appreciate the profound roots of capoeira and the profound impact of Mestre Pastinha’s legacy.

The Ladainha’s flexibility allows for spontaneous creation, yet it also draws from a well-established canon of ladainhas that form a vital part of Capoeira’s oral tradition. Whether delivered extemporaneously or drawn from existing ladainhas, these lyrical compositions can range from just a couple of lines to more elaborate pieces comprising 20 lines or even more.

Thematically, ladainhas cover a wide spectrum of topics, serving as vehicles for moral lessons, recounting stories from history and mythology, and expressing pure poetic creativity. They can also be tailored to specific events or occasions, making them versatile and adaptable to different contexts.

Musically, the ladainha follows a loose strophic structure, with variations in melody adding nuances to the overall repertoire. Typically, the ladainha adopts a quatrain form, featuring a repeated first line that serves as a rhythmic anchor. This combination of lyrical flexibility and musical consistency gives the ladainha its distinctive character, ensuring its enduring presence as a vital component of Capoeira’s expressive tapestry.

Here’s Some Examples: 

ANGOLEIRO – MESTRE JOÃO PEQUENO

A HISTÓRIA NOS ENGANA – MESTRE MORAES

A história nos engana
Diz tudo pelo contrário
Até diz que aboliçâo
Aconteceu no més do maio

A prova dessa mentira
É que da miséria ou não saio
Viva vinte de novembro
Momento para se lembrar

Não vejo no treze de maio
Nada para comemorar
Muitos tempos se passaram
E o negro sempre a lutar

Zumbi é nosso herói
Zumbi é nosso herói, colega velha
Do Palmares foi senhor
Pela causa de homen negro
Foi ele que mais lutou

A pesar de toda luta, colega velha
O negro nâo se libertou, camara

NASCI NO MUNDO – MESTRE COBRA MANSA

Nasci no mundo
Dentro dele me crie
Aprendi a Capoeira
Ai meu bem dentro dela eu morreré
Chego na roda
Quando da na cabeçada
Quando da no Capoeira
Ai meu deus arde até no coração
Jogo pra mim
Que eu também quero jogar
Joga para mim eu pego
Vou jogar pra tu pegar
Sou mandingueiro
Menino de Salvador
A Capoeira ja rodou o mundo entrou
Menino não sou de angola
Menino sou mandingueiro

THE LOUVACAO

The solo is followed by a louvação, also called a Chula, a call and response pattern that usually thanks God and one’s master, among other things. Each call is usually repeated word-for-word by the responders. This song is a type of song where the solo (call) is larger than the chorus (response), usually eight singer verses for one chorus response, but the proportion may vary.

Iê, Viva meu Deus
Iê, Viva meu Deus, camará
Iê, Viva meu Mestre
Iê, Viva meu Mestre, camará
Iê, quem me ensinou
Iê, quem me ensinou, camará
Iê, a capoeira
Iê, a capoeira, camará
É Água de beber
Iê, Água de beber, camará
É ferro de bater
Iê, ferro de bater, camará

THE CORRIDOS

The corridos are overlapping call and response typical of African singing, and influenced by, and borrowing from the Sambas de Roda of Bahia. Unlike the Mexican Corrido which is a form of folk ballad, the Bahian corrido is a short song with a usually static response. The chorus is often indicated by being used as the first line in the song: The Corrido is a song where the singer part and the chorus response are equal, normally two verses by two responses.

Sai, sai, catarina

SIM SIM SIM NÃO NÃO NÃO

Oi sim sim sim
Oi não não não

Oi sim sim sim
Oi não não não

Mas hoje tem amanhã não
Mas hoje tem amanhã não

Oi sim sim sim
Oi não não não

Mas se meu mestre disse que sim
Quero ver quem diz que não

Oi sim sim sim
Oi não não não

Olha a pisada de lampião
Olha a pisada de lampião

Oi sim sim sim
Oi não não não

ADÃO ADÃO

Adão adão

Cadê salomé

Adão

Cadê salomé

Adão

foi pra ilha de maré

Adão

Mas cadê salomé

Adão

saiu foi passear

Adão

Oi cadê salomé

Adão

Salomé foi mandingar

AVE MARIA MEU DEUS

Ave Maria meu Deus
nunca vi casa nova cair
Nunca vi casa nova cair
nunca vi casa nova cair

Ave Maria meu Deus
nunca vi casa nova cair

Nunca vi casa nova cair
quero ver casa nova cair

Ave Maria meu Deus
nunca vi casa nova cair

Nunca vi Angoleiro cair
Nunca vi Angoleiro cair

Ave Maria meu Deus
nunca vi casa nova cair

VOU DIZER A MEU SINHÔ

Vou dizer a meu sinhô
Que a manteiga derramou
E a manteiga não é minha
E a manteiga é de ioiô

Vou dizer a meu sinhô
Que a manteiga derramou

E a manteiga não é minha
E a manteiga é de ioiô

Vou dizer a meu sinhô
Que a manteiga derramou

A manteiga é de ioiô
Caiu na água e se molhou

Vou dizer a meu sinhô
Que a manteiga derramou

A manteiga é do patrão
Caiu no chão e derramou

Vou dizer a meu sinhô
Que a manteiga derramou

A manteiga não é minha
É pra filha de ioiô

In a TRADITIONAL Capoeira Angola Roda, this sequence of events reflects the rich cultural heritage and ritualistic elements that define this Afro-Brazilian martial art form. The role of the Mestre, or the individual wielding the berimbau gunga, is pivotal in setting the tone and pace of the roda. The cadence of the Mestre’s singing, punctuated by the unique rhythm of the berimbau, establishes the foundation for the ensuing performances and interactions within the roda.

The opening Ladainha, a soulful and often improvisational solo song, serves as a poignant invocation, invoking themes of history, spirituality, and personal experiences. This lyrical expression not only sets a reflective and reverent atmosphere but also honors the lineage of Capoeira and its ancestral roots. Following the Ladainha, the Louvação brings a communal aspect to the proceedings, with the Mestre leading the sung responses and creating a sense of unity and camaraderie among the participants. The energetic and uplifting nature of the Louvação contrasts with the contemplative mood set by the Ladainha, marking a transition in the roda’s emotional and spiritual dynamics.

Subsequently, the Corridos, melodic and rhythmic sequences played on the berimbau, herald the impending participation of the capoeiristas. These sequences not only serve as a prelude to the physical interaction but also provide a musical backdrop that inspires and guides the movements of the players. As the Corridos reverberate through the roda, signaling the imminent start of the games, the capoeiristas prepare themselves both physically and mentally, embodying the traditions and techniques passed down through generations.

With the commencement of the games, the players, in a display of agility, grace, and strategic prowess, engage in a mesmerizing exchange of movements and techniques. The palpable energy and rhythm of the music infuse the space with a dynamic vibrancy, as the capoeiristas execute acrobatic maneuvers, fluid kicks, and evasive maneuvers, all while maintaining a harmonious dialogue of movement and music. This interplay between physicality and musicality is a testament to the holistic nature of Capoeira and its embodiment of cultural, artistic, and martial elements.

And what happens if somebody messes up that order? Well, we’ll let Mestre CURIO, the guy in the green outfit, show us.

It’s truly remarkable that such an incident occurred within a gathering of experienced Mestres. One would expect a heightened sense of awareness and respect within such a revered group. The very essence of a Roda is rooted in tradition, discipline, and mutual respect, making this occurrence all the more perplexing.

It serves as a compelling reminder of the complexities that can arise even within the most esteemed circles. The unforeseen events that transpire in such settings often leave a lasting imprint, prompting reflection and contemplation on the broader dynamics at play.

But Anyway…

In the past, EVERY GAME in a traditional Capoeira Angola roda began with a ladainha, setting the tone for the rhythmic and acrobatic exchanges that followed. This ancient tradition added a layer of storytelling and spirituality to the roda, allowing the participants to connect with their ancestry and the mystical aspects of Capoeira Angola.

Over time, as Capoeira Angola evolved and adapted to modern contexts, there has been a shift in the structure of the roda. While the essence of the ladainha remains integral to the practice, contemporary Capoeira Angola rodas often feature just one ladainha per roda. This evolution reflects the dynamic nature of Capoeira Angola, as it continues to thrive as a living art form, embracing both tradition and innovation.

THE QUADRAS

If you play Capoeira Regional, or any other school rooted in that style, you will be familiar with another way to start the roda. An innovation of Mestre Bimba, quadras take the place of the ladainha in some Regional and Contemporânea capoeira schools. They are four, eight, twelve (…) verse songs sung solo followed by the louvação. They were inspired on the Brazilian quadrinhas or quadras populares. This change in the traditional sequence of the roda brings a fresh dynamic to the capoeira experience, adding a unique rhythm and energy to the performance. The incorporation of quadras reflects the evolution and adaptability of capoeira as it continues to thrive and evolve in contemporary contexts. Mestre Bimba’s innovative approach not only pays homage to the roots of Brazilian culture but also contributes to the ongoing transformation and diversification of capoeira practices across different schools and communities. As capoeira embraces diversity and innovation, the legacy of Mestre Bimba’s quadras continues to resonate with practitioners and enthusiasts, enriching the vibrant tapestry of this dynamic martial art and cultural tradition.

A quadrinha is a type of song/poem in Brazilian folclore.  

I’m not gonna go too much into the quadras, since I am a Angoleiro, and I don’t  sing them, or have much experience with them. I only included this section to try to show you the full spectrum of Capoeira music out there.

Here, I’m posting one of Mestre Bimba’s Quadras.

The quadra, an essential element in capoeira, is generally performed with the accompaniment of the charanga — composed of 1 berimbau and 2 pandeiros, which form the traditional Regional bateria. As the capoeiristas engage in their rhythmic movements, the sounds of São Bento Grande de Regional fill the roda with energy and history. It is worth noting that in his school, Mestre Bimba would often refer to this toque simply as ‘Sao Bento Grande’, emphasizing its significance in the capoeira tradition.

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Okay, now I’m going to show you a couple of video playlists I posted of Angoleiros from older generations and from our current generation.

The Angoleiros, both from older generations and the current one, have contributed significantly to preserving and promoting the cultural heritage of Angola. Through their unique style of capoeira, they encapsulate the traditions, values, and movements passed down through generations. The video playlists offer a captivating insight into the evolution and continuity of this beautiful art form, showcasing the skills and spirit of the Angoleiros over time. It’s a wonderful opportunity to witness the legacy of the past merging seamlessly with the passion and talent of the present practitioners. These playlists serve as a tribute to the rich history and ongoing vibrancy of Angoleiros, inviting viewers to appreciate the artistry and dedication embraced by each generation.

In the realm of capoeira, the legacy of Mestre Bimba looms large. His impact on the art form is immeasurable, and his contributions continue to reverberate through its history. Despite not identifying himself as an angoleiro, his influence as a mestre is undeniable, shaping the practice and understanding of capoeira for generations. Through his teachings and innovations, he has left an indelible mark, cementing his place as a pivotal figure in the rich tapestry of capoeira’s evolution. As such, his album holds significance not only as a musical offering but as a testament to his enduring legacy within the capoeira community.

Now, when you play these songs, I hope that you don’t just hear them, but LISTEN to them, with your mind, your heart, your VERY SOUL. These aren’t just songs that you dance to on the radio. These are life lessons here, transmitting oral history, wise and witty commentary on how to play capoeira and how to survive and thrive; it’s an intro to a whole different way to see the world.

The experience of immersing oneself in the realm of music goes far beyond the simple act of perceiving sound waves. It’s about delving into the intricate layers of the melodies, embracing the emotions they evoke, and allowing them to resonate within the core of one’s being. Every note becomes a guide, leading the listener through a labyrinth of sentiments and experiences, unveiling the depths of human existence in a form that transcends language.

Through the timeless art of composition, these songs serve as vessels of wisdom, carrying the essence of oral history intertwined with the rhythms and harmonies. They intertwine the past, the present, and the future, providing profound insights into the cultural heritage and the human condition. Captivating and poignant, they offer invaluable commentary on the art of capoeira, a martial art form that merges skill, grace, and tradition with the wisdom of survival and prosperity.

As the melodies unfurl, they weave a narrative of resilience and empowerment, instilling a newfound perspective on existence and offering a profound insight into the diverse tapestry of life. They transcend the boundaries of mere entertainment and delve into the realms of enlightenment and introspection, inviting the listener to embrace a holistic approach to the world, igniting the flames of curiosity, empathy, and understanding.

So, as you engage with these songs, seize the opportunity to absorb their essence, allowing the music to guide your thoughts, emotions, and perceptions. Let their melodies create a symphony within your mind, harmonizing with the rhythm of your heart and resonating with the very essence of your soul. In doing so, you embark on a transformative journey, enriched with knowledge and wisdom, and emerge with a renewed appreciation for the artistry and richness encapsulated within each unique composition.

For those of African descent some of the capoeira songs tend to bring forth legacies of trauma to be relived in the present and dealt with in the present, while those of non African descent can relate to either the songs themselves, or relate to the story brought forth by the emotion. Either way the opportunity is always there to heal the trauma learning the lesson and taking it beyond the songs.

Now, if you listen to the second playlist below, you’ll see that these songs didn’t really change. They are for the most part, the same songs that the Velha Guarda (Old Guard) of capoeira Angola masters of the last generation passed down to the old guard of THIS generation.

And, when time passes, The masters who are of this generation will pass this philosophy to future generations. Some things will change, some will stay the same, but capoeira Angola will always remain capoeira Angola.

As time flows, the wisdom of this era’s masters will be imparted to the coming generations. This enduring philosophy will evolve in certain aspects while retaining its fundamental essence, yet capoeira Angola will always retain its distinctive identity as capoeira Angola.

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Now if you haven’t noticed, the lyrics of ALL the albums and songs above are in the PORTUGUESE LANGUAGE. 

Most English language websites about capoeira will translate the songs for you, and sometimes, even post up a few lines to explain the meaning of the song. Well, I’m not gonna do any of that, primarily because that I feel that it you would search and find the meaning for these songs yourself, it would be much better for you.

I believe that the essence of capoeira songs lies not only in the words themselves but also in the experience of seeking and understanding their meanings. By delving into the translations and interpretations of these songs on your own, you can uncover a deeper connection to the cultural and historical context of capoeira. The act of exploring the meanings behind the songs can be an enriching journey, allowing you to gain a more profound appreciation for the art form. Embracing this process of discovery can enhance your overall understanding and connection to the rich traditions embodied in capoeira.

Look, there’s a plethora of wisdom and understanding you can gleam from these songs. I CAN tell you the “meaning” of a certain song, but that is only the meaning as I understand it AT THAT POINT IN TIME. As time goes on, I may find a deeper meaning to the song… or YOU will.That’s right, I said it. You yourself may find some meaning to a certain song that means something to YOU, and may not mean the same thing to someone else. And then later, you may come to understand it at a even DEEPER level.

Music has this extraordinary ability to resonate with individuals in unique ways, and the meanings we derive from songs can evolve as we experience different stages in life. What a song signifies to us today may transform into something entirely different tomorrow. The beauty of music lies in its capacity to adapt to our personal growth and experiences, often revealing new depths and insights with each revisit. It’s a dynamic relationship between the listener and the song, with the potential for profound and ever-changing interpretations.

Remember, In Capoeira Angola, the learning NEVER ENDS.

Besides, Y’all probably didn’t even read or listen through this section anyway. 

As for the songs being in Portuguese, here’s a concept:

If you don’t speak Portuguese, then why don’t you just LEARN TO SPEAK PORTUGUESE YOURSELF?

Of course, the Portuguese language has deeply influenced the capoeira world and its community. Learning Portuguese can provide you with an invaluable advantage when connecting with other capoeira enthusiasts, understanding the rich history and cultural significance of capoeira, and delving into the traditional songs and chants of this art form.

Moreover, as you explore the world of capoeira, immersing yourself in the Portuguese language can open doors to authentic experiences and interactions. From engaging in conversations with mestres and fellow practitioners to grasping the nuances of capoeira songs, having a grasp of Portuguese can truly enrich your journey in the capoeira community.

Furthermore, acknowledging and embracing the various African influences on capoeira, such as Yoruba, Kikongo, Umbundu, and Kimbundu, can deepen your understanding of the cultural tapestry that is intertwined with this martial art. While not a necessity, delving into these languages and their associated cultures can broaden your perspective and appreciation for the roots of capoeira and its profound ancestral connections.

In essence, while not mandatory, embracing the Portuguese language and exploring related African languages can enhance your immersion in the captivating world of capoeira, fostering meaningful connections and a deeper comprehension of its cultural heritage.

Besides, it’s always beneficial for you to know more than one language anyway. You’d be amazed how your perspective, your whole WORLD opens up a bit more.

Anyway, I’ve posted some resources here to help you learn and explore brazilian portuguese.

PORTUGUESEPOD101.COM     – Fast Audio and Video lessons for Fast and Easy learning.

PortuguesePod101.com is an online Portuguese language learning website. You’ll learn to speak, read, write and hear Portuguese. You’ll have fun learning with listeners around the world. Get ready to start speaking Portuguese from the very first lesson!

Visit PortuguesePod101.com/video and sign up for your FREE lifetime account.

DUOLINGO.COM – Duolingo is an American language-learning website and mobile app, as well as a digital language-proficiency assessment exam. The company uses the freemium model; the app and the website are accessible without charge, although Duolingo also offers a premium service for a fee.

Now, those are the only 2 websites that I use to learn Portuguese, so I can’t recommend any others. However, for you capoeiristas out there, I do recommend this book:

When it comes to learning a new language, finding reliable and effective resources is crucial. By sharing the two websites I use to learn Portuguese, I hope to assist others on their language-learning journey. For those passionate about capoeira, the Afro-Brazilian martial art with elements of dance and music, I enthusiastically recommend this book as a valuable resource for delving deeper into the art form’s history, techniques, and cultural significance. Remember, the key to mastering a new language or art form lies in consistent practice and exposure to quality learning materials.

Portuguese for Capoeiristas: Master the Basics in 16 Comprehensive Lessons based on Popular Capoeira Songs.

You can find it HERE on AMAZON.COM, and it’s a great way to learn the language through songs that you probably sing everyday, if you’re a Capoeirista.

NOW, AND IN THE FUTURE…

Okay people, I have to tell you the truth. In this section, I wanted to try and explore what will happen to capoeira music in the future, if it will change, how it will change, etc. But I can’t think of a damn thing to type.

Exploring the future of capoeira music is indeed a fascinating subject. Capoeira music, deeply intertwined with the art form itself, has evolved over the centuries, blending African rhythms with Brazilian influences. As capoeira continues to gain popularity globally, it’s intriguing to ponder the potential evolution of its accompanying music. Will traditional instruments and melodies persist, or will they be infused with modern elements?

Considering the rich history and cultural significance of capoeira, it’s plausible to anticipate a dynamic shift in its music. As globalization continues to connect diverse musical traditions, we may witness innovative fusions and novel interpretations, shaping the sonic landscape of capoeira. Furthermore, advancements in technology could also play a pivotal role, introducing electronic and digital elements into the traditional soundscape.

Beyond the musical aspect, social, political, and environmental changes may also leave their imprint on capoeira music. These influences could inspire new lyrical themes and rhythmic expressions, mirroring the evolving narratives of society. Additionally, the preservation of heritage and the empowerment of marginalized voices may prompt a renaissance of traditional capoeira music, fostering a resurgence of authentic rhythms and chants.

In essence, the future of capoeira music holds a tapestry of possibilities, embracing both continuity and innovation. By contemplating these potential trajectories, we can embark on a thought-provoking journey to envision the rhythmic metamorphosis that may lie ahead for this captivating art form.

The practice of capoeira is deeply intertwined with its music and songs, creating a rich cultural tapestry that accompanies the physical movements. The playlist I assembled comprises a diverse collection of my favorite capoeira songs, showcasing various styles and traditions within this vibrant art form. Some of the tracks feature the mesmerizing tones of the berimbau, a musical bow used in capoeira to set the rhythm and energy of the game. However, not all the songs in the playlist are strictly traditional capoeira tunes; I’ve also included some that may not be directly associated with capoeira but resonate with its spirit and energy. This eclectic mix reflects my personal journey with capoeira and the diverse influences that have shaped my connection to this captivating practice.

Anyway, I hope you enjoy it.

The capoeira community is rich with soul-stirring songs, and each Capoeirista has their own personal favorite that resonates deeply with them. For many, these songs represent the essence of capoeira and its cultural significance. The song by the late Capoeira Angola Mestre Moa e Katende is a perfect example of how music intertwines with the spirit of capoeira, evoking powerful emotions and connecting practitioners with the tradition and history of this art form.

The rhythm and lyrics of capoeira songs often hold deep meanings and storytelling elements, expressing the struggles, triumphs, and resilience of the Afro-Brazilian heritage. As practitioners engage in the physical and rhythmic movements of the game, these songs provide the soundtrack that guides their movements and sets the atmosphere for the roda. It’s truly remarkable how a well-chosen capoeira song can uplift the energy of the roda and create a profound sense of unity and camaraderie among the participants.

It’s fascinating to see how capoeira songs, such as the one created by Mestre Moa e Katende, continue to transcend time and space, carrying the traditions and wisdom of the art form through generations. The emotional impact of these songs goes beyond just the music itself; it encapsulates the collective memories and experiences of the capoeira community, serving as a bridge between the past, present, and future of this cherished practice.

But don’t quote me on that.

The capoeira song “IDALINA,” by mestre Felipe do Santa Amaro, holds a special place as my second all-time favorite. The rhythmic beats and soul-stirring lyrics of this song never fail to captivate me. The way each instrument blends with the enchanting vocals creates an electrifying atmosphere that resonates deep within the essence of capoeira. It’s truly a masterpiece that embodies the rich cultural heritage and traditions of this mesmerizing art form.

THE SOUL OF CAPOEIRA

I titled this page, “THE SOUL OF CAPOEIRA”, because I believe that the songs of capoeira are truly the soul. When at the beginning of every roda, when the players croutch at the bottom of the lead berimbau, and the Mestre yells, “Ieeeeh!”, I believe THAT MOMENT is when capoeira comes alive. And as the cpaoeiristas play, as the musicians play, as everyone, the bateria, all the other players & onlookers sing songs from time immemorial and pass on the timeless wisdom contained within them, you’ll see that Capoeira Angola is a LIVING artform, and you’ll see and feel it’s soul.

Capoeira, with its origins in Brazil, carries the weight of centuries of history and tradition. It is a mesmerizing blend of martial arts, dance, acrobatics, and music. The energy and spirit of capoeira can be felt in every rhythm of the berimbau, in every fluid movement of the players, and in every heartfelt song sung during a roda.

The roda itself, the circle where the capoeiristas gather to play, represents unity, tradition, and respect. It is within this circle that the essence of capoeira is fully manifested. The interactions between the players, the fluidity of their movements, and the mesmerizing music create an atmosphere that transcends time and space.

Throughout the centuries, capoeira has not only preserved its traditions but also continues to evolve and adapt. It is a living art form that carries the wisdom and experiences of generations past, and this is evident in the soul-stirring songs sung by the bateria and the players.

As one witnesses the mesmerizing beauty of Capoeira Angola, it becomes clear that it is not just a martial art; it is a vibrant expression of history, culture, and spirituality. The soul of capoeira is intricately woven into its every aspect, from the captivating beats of the instruments to the profound wisdom encapsulated in its songs. It is a living, breathing testament to the resilience and creativity of the human spirit.

And now everybody, I have a little something for ya’.

PLAYING FOR CHANGE: Connecting the world through Music.
Playing For Change was born in 2002 as a shared vision between co-founders, Mark Johnson and Whitney Kroenke, to hit the streets of America with a mobile recording studio and cameras in search of inspiration and the heartbeat of the people. This musical journey resulted in the award-winning documentary, “A Cinematic Discovery of Street Musicians.”

No, They’re not capoeira songs and they don’t play capoeira music, but I believe that the people who created this organization have the same soul. Where we capoeiristas connect with each other through music and songs, they do the same thing on a global scale.

It’s fascinating to draw parallels between the spirit of capoeira and the ethos of this organization. Both emphasize the profound significance of connection and community. Just as capoeiristas unite through music and songs, the individuals behind this organization foster a sense of worldwide harmony and togetherness. This resonates deeply with the essence of capoeira, where the rhythmic melodies and expressive movements serve as conduits for unity and mutual understanding. The shared soul of these endeavors reflects a universal yearning for interconnectedness, transcending boundaries and resonating across cultures. The symphony of unity orchestrated by both capoeira and this global organization embodies the timeless resonance of human connection.

It truly is a beautiful thing to see.