MESTRE TIBURCINHO

 
 

Mestre Tiburcinho, also known as Tiburcio Jaguaripe, is one of the few Capoeiristas recognized as a Mestre of BATUQUE as well. Born in 1870 in Jaguaripe, he became a significant figure in the popular Brazilian culture, leaving an indelible mark on the history of Capoeira and Batuque.

Having learned batuque under Mestre Bernardo, he became a prominent batuqueiro, dedicated to preserving this art form in the same Reconcavo where he honed his skills through countless hours of practice and performances in community gatherings. His deep respect for the traditions of batuque inspired him to teach others, fostering a new generation of batuqueiros who appreciated the rich cultural heritage.

 

Later, upon moving to Salvador, he encountered the world of Capoeira at the Mercado Popular, an iconic hub of music and movement, and began training with local Capoeiristas, immersing himself in their vibrant community. He distinguished himself with his exceptional abilities in Capoeira rodas, where his background in batuque contributed to his unique style, allowing him to blend rhythmic footwork with powerful expressive movements, earning admiration from both peers and masters alike.

His involvement with Capoeira extended to Mestre Pastinha’s academy, where he frequented and further honed his expertise. Even in his advanced age, Mestre Tiburcinho remained a formidable Capoeirista, a skilled mandingueiro, and perpetuated the practice of batuque through his timeless songs and performances.

Beyond his contributions to Capoeira, Mestre Tiburcinho played a pivotal role in the preservation of other traditional art forms. He notably aided Mestre Bimba in recalling numerous old songs and revived the choreography of Maculelê. This assistance enabled Mestre Bimba to feature Maculelê in performances with his group, subsequently fostering the inclusion of Maculelê in other Capoeira groups.

Furthermore, Mestre Tiburcinho’s impact extended to the realm of cinema, as he played a part in Jair Moura’s film “Danca de Guerra” further solidifying his influence on Brazilian cultural heritage through his multifaceted contributions to the arts.