Hello everyone,
Now, as we have heard a lot about the old mestres, both alive and dead, their profound impact on Capoeira Angola cannot be overstated. When Mestre Pastinha, Joao Grande, and Joao Pequeno, along with the rest of the Velha Guarda (Old Guard), were responsible for Capoeira Angola’s survival during challenging times, they laid the foundation for the art form we cherish today. Their dedication and passion kept the traditions alive and enriched the practice with their extensive knowledge and wisdom. However, I want to shift our focus to two younger mestres who have played a pivotal role in enhancing Capoeira Angola’s presence on the global stage since the 1980s. These mestres, through their innovative techniques, vibrant teaching styles, and commitment to preserving the essence of Capoeira, have not only helped to spread awareness of this rich cultural heritage but have also inspired a new generation of practitioners worldwide, ensuring that the spirit of Capoeira Angola continues to thrive in diverse communities across the globe.
If you want to know about the other one, click HERE.
Pedro Moraes Trindade, commonly known as Mestre Moraes, is a master of Capoeira Angola. He was born in Ilha de Maré on the 9th of February, 1950.
With a strong educational background, he obtained a Degree in Vernacular Letters with English from Universidade Católica do Salvador in 1991, showcasing his dedication to language and literature. Continuing his academic journey, he pursued a Master’s Degree in Social History from UFBA, further enriching his knowledge in the field of social sciences.
His pursuit of academic excellence did not stop there, as he went on to achieve a Doctorate in the Multidisciplinary Program in Culture and Society of the Federal University of Bahia. It is within this esteemed institution that Mestre Moraes devotes himself to research on capoeira and the study of culture in the context of the 21st century, demonstrating a deep commitment to the preservation and understanding of cultural heritage.
In addition to his scholarly endeavors, Mestre Moraes also contributed significantly to the public education system of the State of Bahia as a professor before retiring. His professional experience spans across diverse fields such as English Language, Cultural Studies, Public Policies, Knowledge Management, and the History of Brazil, reflecting his versatile expertise and intellectual breadth.
Mestre Moraes’ academic journey and professional accomplishments stand as a testament to his dedication to knowledge, education, and the appreciation of Brazil’s cultural tapestry. His multifaceted contributions have left a lasting impact on academia and the wider cultural sphere, cementing his legacy as an influential figure in his field.
Moraes began his training in Capoeira de Angola at the age of 7. His father was also a Capoeirista, and he introduced him to the art.
From there, he began training at MESTRE PASTINHA’S academy, when he was around 10 years old.
The history of capoeira is deeply intertwined with the lives and legacies of influential figures such as Pastinha, Joao Grande, and Joao Pequeno. Towards the latter part of his life, Pastinha transitioned away from teaching regular classes, leaving the academy in the hands of his dedicated students, Joao Grande and Joao Pequeno. A testament to the enduring impact of Joao Grande is the profound impression he left on a young Moraes, who considered himself a true student of Joao Grande, deeply inspired by his approach to playing capoeira. The tradition and artistry of capoeira have been upheld by these remarkable individuals, ensuring its preservation for future generations to appreciate and learn from.
For further information about Joao Grande and his contributions to capoeira, please click HERE, and HERE.
To preserve and transmit his mentors’ teachings, he founded Grupo Capoeira Angola Pelourinho (GCAP) in 1980, and two years later he moved his organization to Salvador. His aim was to return to capoeira’s philosophical bases and its African, specifically Angolan roots, and to turn away from the more commercial aspects of the art. In establishing GCAP, he sought to create a space where the traditional aspects of capoeira, deeply rooted in the history and culture of Angola, could flourish free from the influences of modern commercialism. By doing so, he hoped to honor the legacy of his mentors and preserve the authenticity and integrity of capoeira, ensuring that future generations would have the opportunity to connect with its rich cultural heritage.
Furthermore, the foundations laid by GCAP would not only serve as a guardian of capoeira’s past but also as a platform for education and cultural exchange, fostering a deeper understanding among practitioners and enthusiasts alike. Through workshops, performances, and community events, he envisioned a vibrant environment where individuals could share their experiences and learn the true significance of capoeira, its rhythms, movements, and philosophies, thus reinforcing the importance of cultural identity and continuity in a rapidly changing world.
Through his dedicated efforts, he not only succeeded in revitalizing the philosophical underpinnings of capoeira but also in safeguarding it’s African roots. His unwavering commitment to this mission has had a profound impact, shaping the practice of capoeira and preserving its traditional essence amidst the currents of modernization. As a result, the art form has continued to thrive as a symbol of cultural pride and resilience, carrying forward the legacy of its African origins for generations to come.
Now, we all know that that Mestre Moraes did have a major role in the resurrection of Capoeira Angola in the 1980’s. But the fact is, many people consider Mestre Moraes to be difficult to work with, and some people consider him to be outright annoying, and even racist.
Why?
Well, Mestre Moraes is the type of guy who doesn’t shut up about certain things when others would. And he talks out when nobody wants him to. I believe that for him, this is how he expresses what he considers to be the most important for Capoeira, that it doesn’t get ripped of its African roots, that it doesn’t turn into a sport without it’s practitioners recognizing the blood and sweat people went through because they practiced African rituals on Brazilian soil.
One of his main criticisms is that since Mestre Bimba’s introduction of “Capoeira Regional” Capoeira underwent several changes in its perception and philosophy. As it got more accepted in Brazilian popular culture and was also promoted as “the only true Brazilian national sport”, people started to introduce all kinds of “novelties” into Capoeira, like a cord system, Capoeira standard uniforms, & the registration of Capoeira in the National Boxing Federation.
Traditional Capoeira Angola Mestres like Moraes use one word does express these changes: “embranquecimento”, which is Portuguese for “Whitening”.
But for Mestre Moraes and others like him, the worst thing was not what they did introduce into capoeira, but what was being neglected in capoeira at that time, which was the traditional Capoeira, the old mestres, the street rodas and the Afrobrazilian rituals in Capoeira Angola. Besides being neglected, during the times of the dictatorship, which lasted from 1964 to 1984, traditional street rodas, like this one, were disrupted by the police.
In the face of these challenges, Mestre Moraes persevered in his mission to uphold the authentic essence of Capoeira, reclaiming its roots and resisting the dilution of its cultural significance. His unwavering commitment to preserving the heritage of Capoeira has ignited debates and provoked discomfort within the community, yet his dedication to this cause remains unyielding. As contentious as his methods may be perceived by some, there is a steadfastness in Mestre Moraes’s resolve that is deeply rooted in his reverence for the intrinsic connections between Capoeira and its African heritage.
The history of Capoeira is deeply intertwined with the socio-political landscape of Brazil. During a period when everything that wasn’t in alignment with the state’s policy faced oppression, Capoeira Regional and Contemporary capoeira emerged and thrived due to their non-oppositional stance. As a result, these styles spread widely across Brazil, gaining significant popularity. Conversely, Capoeira Angola faced a decline, nearly reaching the brink of extinction. This stark contrast in the fortunes of different Capoeira styles serves as a testament to the influence of state policies on cultural practices and the resilience of those that adapted to the prevailing socio-political climate.
It was this state of affairs Mestre Moraes saw when he came back to Salvador in 1982. He saw that Capoeira Angola was dying out, with the old mestres losing ground against the new elite of modern Capoeiristas. So he started teaching, organizing rodas and fought for the recognition of Capoeira Angola as the traditional art form of Capoeira.
Mestre Moraes’ dedication to reviving Capoeira Angola was unwavering. He understood the historical and cultural significance of this art form and was determined to preserve its authenticity. Through his teaching and the organization of rodas, he sought to pass on the traditions and techniques of Capoeira Angola to the next generation, ensuring that it would not be overshadowed by the modern Capoeira practices. His efforts extended beyond the physical aspects of the art form; he also worked tirelessly to advocate for the recognition of Capoeira Angola as the true representation of Capoeira’s roots and history in the face of the evolving landscape of martial arts.
His commitment to this cause sparked a resurgence of interest in Capoeira Angola, breathing new life into a fading tradition. Mestre Moraes’ legacy endures as a testament to the power of preservation and the enduring spirit of Capoeira Angola.
The influence of GCAP goes beyond just connecting with other Black Power movements like Ilê Aiyê and Olodum. This organization has played a pivotal role in advocating for the inclusion of African and Afro-Brazilian traditions in the practice of Capoeira Angola. Through their efforts, they have established strong connections within the Capoeira Angola community, exerting a significant influence on the entire scene. It’s important to acknowledge that while GCAP holds a prominent position, there are also other legitimate Capoeira Angola groups actively promoting similar values and traditions. This collective dedication to honoring and preserving African and Afro-Brazilian influences enriches the practice of Capoeira Angola and contributes to its cultural significance.
In the mid-80’s, Mestre and his Contra-Mestre Cobra Mansa executed a remarkable feat by persuading Mestre JOAO GRANDE to return to Capoeira Angola, a traditional martial art that encapsulates the rich cultural heritage of Brazil. This pivotal decision was not merely a personal triumph; it brought a profound historical significance back into the world of Capoeira, sparking a revival of interest in its roots and philosophies.
Their collective efforts not only revitalized the practice but also reintroduced a rich cultural legacy to a new generation of practitioners, who were eager to learn about the intricacies and spiritual depths of Capoeira. Through workshops, demonstrations, and community gatherings, they fostered a sense of belonging and identity among the students, instilling a deep appreciation for the art form and its transformative history. This renaissance was essential in ensuring that Capoeira continued to thrive, evolve, and be celebrated across the globe, connecting individuals through shared experiences and traditions.
Today, GCAP still exists, and is one of the most traditional schools of Capoeira Angola. In addition to being the head of GCAP, Mestre Moraes himself worked as a teacher of English and Portuguese at a public school for many years. It’s fascinating to note the depth of Mestre Moraes’s involvement not only in the world of Capoeira Angola but also in the academic sphere, where he imparted knowledge and language skills to his students. His multifaceted contributions illustrate the diverse talents and passions that can coexist within an individual, enriching both the cultural and educational realms. This unique combination of experiences and expertise sets Mestre Moraes apart as a respected figure in both the Capoeira community and the field of language education. Such remarkable individuals serve as inspiring examples of the potential for meaningful impact across different domains, leaving a lasting legacy that extends far beyond any single discipline.
Certainly, Mestre Moraes remains a central figure in the world of Capoeira Angola, his influence reverberating through generations of practitioners. Despite the passage of time, his impact and dedication to the art form have not waned, solidifying his position as one of the most esteemed Mestres.
Mestre Moraes’s unwavering commitment to Capoeira Angola has not only contributed to its preservation but has also inspired countless individuals to delve into the rich history and profound techniques of this traditional art form. Through his teachings and personal embodiment of the art, he has cultivated a legacy that continues to captivate and motivate practitioners worldwide.
His profound understanding of the cultural and historical significance of Capoeira Angola has elevated the art form to new heights, ensuring that its essence remains authentic and undiminished. Mestre Moraes’ enduring legacy serves as a guiding light for those navigating the intricate realm of Capoeira Angola, offering insights that transcend time and resonate deeply within the hearts of enthusiasts and scholars alike.
Beyond his renowned stance on Embranquimento and Africanidade, there are myriad aspects of his life and contributions that warrant exploration. From his innovative approaches to teaching and preserving the traditions of Capoeira Angola to the deep-rooted cultural significance embedded in his practice, there is a wealth of compelling narratives to uncover. Mestre Moraes’ unwavering dedication to upholding the authenticity and integrity of Capoeira Angola continues to inspire and resonate with enthusiasts worldwide.
The music of Capoeira Angola is an essential aspect of this Afro-Brazilian martial art, and its significance cannot be overstated. Within this context, the individual we referenced can be duly acclaimed for his remarkable contributions to the music associated with Capoeira Angola. Specifically, he has left an indelible mark by “codifying” the musical style of this traditional art form. In doing so, he not only defined its basic instrumental ensemble but also mandated that members of GCAP possess comprehensive knowledge of all aspects of Capoeira Angola’s music. This emphasis on musical proficiency not only enriches the practice of Capoeira Angola but also ensures the preservation and celebration of its cultural heritage.
His first CD is actually the first CD I ever bought and listened to, and I believe that every Capoeirista should have that CD in their collection. Beside the captivating rhythms and melodies that resonate through every track, this album holds a deeper significance for me. It encapsulates the essence of Capoeira, weaving together tradition and innovation in a mesmerizing tapestry of sound that transports listeners to the heart of Brazilian culture.
The vibrant beats serve not only as a backdrop for physical expression but also as a bridge connecting generations of practitioners who have come before us. As the music reverberates, it evokes the spirit of the roda, infusing every movement with vitality and meaning, inspiring passion and a sense of community among those who partake in this beautiful art form. Each note invites you to embrace the flow of the dance, encouraging a deeper appreciation for the rich heritage that Capoeira embodies.
And also, his CD “brincando na roda” was nominated for the Grammy Award in 2004. This Grammy Award nomination served as a well-deserved recognition of the artist’s exceptional talent and the cultural significance of his work, highlighting how his dedication to Capoeira not only showcased his musical prowess but also amplified the voices and stories of the communities from which this art form originates. It brought Capoeira rhythms to a global stage, shedding light on this rich and vibrant tradition that has deep historical roots in Brazil and resonates with themes of resilience, unity, and joy.
This CD stands as a testament to the universal appeal of Capoeira music, transcending boundaries and unifying listeners from diverse backgrounds, engaging them in a shared experience that celebrates life, movement, and the power of music to forge connections across cultures and generations, ultimately fostering a deeper appreciation for the art form and its heritage.
In the world of Capoeira, this album remains an enduring masterpiece, perpetuating the legacy of the art form through its timeless melodies. It continues to inspire and resonate with practitioners worldwide, serving as a sonic companion in their journey through the beautiful, unfolding narrative of Capoeira.
Other than that he is also known for his elaborate philosophy derived out of African spirituality…
“The capoeira roda, whose geometric form facilitates the propagation of energy, is one of the symbolic representations of the ‘macro’ world. The movements we make inside this ring symbolise the adversities we encounter in life, which we often don’t know how to deal with. In the game of life, our opponents, in most cases, know nothing of capoeira, but have movements peculiar to their own game, which we should be able to interpret and understand in their context, taking the roda as a point of reference. Playing in the roda, we succeed in establishing a fusion between playful elements and respect for the other person. But the roda isn’t reality: the world is. If we win in this roda, we can take the other one too!”
If you want another example, just check the interview translated by Shayna McHugh on her Capoeira Connection site.
Plus, he is of course an AMAZING player of Capoeira Angola and is known for his dominance in the Roda.
Mestre Moraes, a renowned figure in the world of capoeira, resides in Salvador, Bahia. In this vibrant city, he plays a pivotal role in directing GCAP, an organization that has evolved into a cultural outreach project. At GCAP, Mestre Moraes and his team provide training to not only older visiting students but also children who may lack guidance on where to channel their energies.
Through this initiative, they offer valuable support and mentorship, shaping the lives of the youth and contributing to the preservation of capoeira’s rich traditions in the local community. Salvador, with its captivating culture and history, serves as the fitting backdrop for Mestre Moraes’ impactful work, encompassing both education and cultural preservation.
Salvador, the vibrant city known for its rich Afro-Brazilian heritage and energetic music and dance scenes, provides an ideal setting for Mestre Moraes’ transformative efforts to flourish. The fusion of African and Brazilian culture in Salvador creates a unique atmosphere that truly encapsulates the spirit of capoeira, a martial art form with deep historical roots that intertwine with the narratives of resistance and resilience.
As Mestre Moraes continues to nurture and guide the younger generation through rigorous training and cultural education, his unwavering dedication not only empowers the youth but also ensures the perpetuation of capoeira’s traditions, which have been integral to the fabric of Salvador’s local community for generations. By instilling a sense of pride and identity in his students, he fosters a deeper appreciation for their cultural heritage, encouraging them to embrace their roots while also inspiring creativity and innovation within the art form. In this way, Mestre Moraes plays a crucial role in bridging the past and the future, allowing capoeira to evolve while staying true to its foundational principles and values that resonate deeply within the heart of Salvador.
Jogo Corpo Fechado 