Reinaldo Santana, known as Mestre Bigodinho, was born in Conceição de Feira in 1933 and grew up in Acupe, immersed in the vibrant cultural scene of the Recôncavo, where he learned capoeira from various masters, absorbing not only the techniques but also the philosophy behind the art. He moved to Salvador in 1950, where he met the legendary Berimbau master Auvelino, whose teachings profoundly influenced him and helped him refine his skills, making him a notable figure in the capoeira community. For over 25 years, he frequented Barracão de Mestre Valdemar da Paixão, a hub for capoeiristas, during a time when he keenly observed that “boys and women did not play,” highlighting the gender dynamics of the time, yet he remained passionate about breaking these barriers. During this period, he mingled with renowned capoeiristas like Traíra and Zacarias, learning from their experiences and sharing stories that cemented his reputation. Bigodinho was not just skilled in capoeira; he was also an excellent singer and songwriter, celebrated for his unique style of singing litanies and corridos that resonated deeply within the community, as he blended traditional elements with his personal experiences, creating a rich legacy that continues to inspire future generations.
In the 1960s, he coordinated the Grupo Resistência in Salvador, a crucial period marked by intense police repression of the capoeira roda, which sought to stifle traditional practices. He participated in the Folkloric Group “Viva Bahia,” which played an essential role in promoting capoeira not only in Brazil but also across the globe, showcasing the rich cultural heritage associated with this art form. Mestre Bigodinho became a master in 1968, rising through the ranks thanks to his dedication and passion; however, he found himself inactive in the 1970s, a time when many capoeira practitioners faced significant challenges. He made a remarkable return in the 1990s, drawing inspiration from Lua Rasta, a pivotal figure in the resurgence of interest in capoeira. Researcher Frede Abreu highlights his importance in the revitalization of Capoeira Angola during the 70s and 80s, acknowledging his profound knowledge and invaluable experiences gained from interactions with old masters, which not only enriched his teaching but also inspired a new generation of capoeiristas, ensuring that the traditions of capoeira would continue to thrive and evolve.
In 2007, the “Tribute to Master Bigodinho” took place, organized by his friend, Master Lua Rasta, who, with his dynamic “band of announcers,” transformed the streets of Acupe into a vibrant and festive big party that brought together the local community and beyond. The event, which was captured on video in the homonymous documentary by Gabriela Barreto, showcased not only the joy and exuberance of Master Bigodinho being celebrated by everyone, but also highlighted the rich cultural heritage of the region. His infectious spirit filled the air, as friends, family, and admirers danced and sang, all in tribute to a man who had dedicated his life to the arts.
Additionally, he recorded a CD with the talented Master Boca Rica, further emphasizing his versatility and talent as a singer and composer in capoeira and samba-de-roda songs. Throughout his artistic journey, he was lovingly considered an excellent sambista and a true bohemian by his close friends, who admired his dedication to preserving and promoting these cherished cultural traditions.
With his remarkable perspicacity, Bigodinho eloquently stated that capoeira “is like a pharmacy: you have pain in your leg, in your muscle…so you do some capoeira jumping with the guys, and when you come back, you’ll be fine; that pain is all gone.” His words encapsulated the spirit of this dynamic martial art, which not only serves as a physical outlet but also as a therapeutic practice for many who partake in it. Known for its rich cultural heritage and deep-rooted traditions, capoeira fosters a sense of community and camaraderie among its practitioners.
On April 5, 2011, he passed away in the Santa Casa de Misericórdia de Santo Amaro, a location steeped in history, recognized as the same place where the legendary Besouro Mangangá met his fate. It was a gray day that cast a long shadow, coinciding with the birthday of another great capoeira character, Mestre Pastinha, whose legacy lives on through generations of capoeiristas. In this way, the circle of life within the realm of capoeira continues, echoing the beats of the berimbau as a testament to those who dedicate their lives to its practice.
Jogo Corpo Fechado 