BEAUTY MATTERS. IT IS NOT JUST A SUBJECTIVE THING, BUT A UNIVERSAL NEED OF HUMAN BEINGS. IF WE IGNORE THIS NEED, WE FIND OURSELVES IN A SPIRITUAL DESERT.

~Roger Scruton

Hello Everyone.

When so called “Capoeira Angola Haters” out there want to criticize and disparage this art, one of the main things they focus on is the “dance” aspect of the art, saying that we don’t fight, we just dance.

I admit, it’s not just a critique.

When observing a traditional Roda de Capoeira, one cannot help but notice the exuberance and energy exuded by the participants. The captivating sight of people gracefully executing flips and intricate dance movements within the roda is truly a testament to the dynamism and cultural richness of Capoeira. The vibrant and rhythmic sounds of the berimbau, pandeiro, and atabaque provide the backdrop for this mesmerizing spectacle, captivating both the participants and the audience. It is within this lively and spirited environment that the essence of Capoeira, with its roots deeply embedded in tradition and history, comes to life. The joyful expressions on the faces of those engaging in the roda not only reflect the physical artistry and agility involved but also the sheer enjoyment and camaraderie experienced during this time-honored practice.

The exploration of the dance aspect in capoeira Angola offers an intriguing journey into the cultural and historical significance of this captivating art form. Embracing the essence of rhythm, movement, and expression, the dance component in capoeira Angola reflects a rich tapestry of traditions and narratives. Through the art of dance, practitioners delve into a multifaceted realm that intertwines physical prowess with storytelling, creating a captivating synergy that resonates through the ages.

In delving into the “why” behind the dance, inversions, and acrobatics, we unravel a tapestry of purposeful expression and ancestral wisdom. The dance in capoeira Angola serves as a portal to traditions passed down through generations, a window into the souls of those who have embraced and shaped this art form. It encapsulates a celebration of freedom, resilience, and identity, embodying the very spirit of the capoeirista.

In exploring the allure of inversions and acrobatics, we encounter a fusion of physical mastery and symbolic resonance. These elements not only showcase the prowess and agility of the practitioner but also symbolize the ability to defy gravity and transcend limitations. The acrobatic feats within capoeira Angola embody an embodiment of grace and strength, a testament to the harmonious blend of athleticism and artistry that defines this captivating discipline.

Now what I’m about to type didn’t come from me, but from several people, not all of whom are Capoeiristas.

Okay, Let’s get started.

The intertwining of dance and music in capoeira is a fascinating aspect that has sparked various interpretations over time. Scholars and enthusiasts have pondered upon the significance of this blend, with one prevalent theory suggesting that it served as a means of concealment. According to this notion, practitioners ingeniously disguised their martial artistry within the veneer of dance and music, thereby evading suspicion and repression from authorities.

Well, I think that explanation is complete bu*&^hit, for a couple of reasons.

Personally, I think it’s a common-sense type of way to explain away certain aspects of the game.

And who knows, it COULD be the main reason there is Dance and music in the game.

However, I also think that there are also other VERY IMPORTANT factors to consider.

One reason I believe the dance aspect is there, is because in ancient times, and also in the present day, dance was one of the main ways that West African warriors trained because the ARTISTIC aspects of the West African Martial Arts was, and still is, VERY important.

In West African cultures, dance has always been intertwined with various aspects of life, including martial arts. This connection can be traced back to ancient times and still holds significance in contemporary society. The incorporation of dance into warrior training highlights the holistic nature of West African Martial Arts, where physical prowess is complemented by artistic expression. The intricate movements and rhythms of traditional dances contribute to the development of agility, coordination, and endurance – qualities essential for warriors in battle. Furthermore, the artistic elements of these martial arts forms serve as a testament to the rich cultural heritage of West Africa, emphasizing the fusion of practical combat techniques with creative and expressive dimensions. Therefore, the inclusion of dance in the training of West African warriors not only highlights the importance of artistic elements but also showcases the deep-rooted traditions and values embedded within these martial arts practices.

One thing people don’t seem to understand is the fact that the west Africans who were brought to Brazil came from cultures that were very different than our own. This lack of understanding has led to misinterpretations and misconceptions regarding the traditions and customs of these cultures. It is important to recognize the rich and diverse heritage that these individuals brought with them, and to appreciate the significant influence they have had on Brazilian culture. From music and dance to religious practices and culinary traditions, the contributions of the West African heritage are deeply woven into the fabric of Brazilian society. By acknowledging and respecting these cultural differences, we can foster greater understanding and inclusivity within our communities, celebrating the diversity that enriches our shared experiences.

You see, here in the west where I live, our lives are very compartmentalized. We have times and days set aside for say, the secular aspect of our lives, and times and days set aside for the spiritual, i.e., religious aspect of our lives. And in our secular lives, there are days and times set aside for work, play, time with family, time with your friends, etc.

Well, the West African mind doesn’t work that way.

In many traditional West African societies, everything is one. Work, play, spirituality, etc. are all woven together, and all have equal importance in their everyday lives.

The holistic approach to life in traditional West African societies encompasses a deep interconnectedness and integration that transcends the compartmentalization often found in Western cultures. In these societies, everyday activities are intertwined with spiritual practices, work, and social interactions, creating a seamless tapestry of existence where each aspect holds equal significance. This unified perspective underscores the profound cultural differences in the interpretation of time and the blending of seemingly separate domains of life. It invites reflection on the diverse philosophies that shape our understanding of existence and emphasizes the richness of human experiences across different cultural landscapes.

Whether anybody likes it or not, Capoeira came from West African Culture (Congolese and Angolan cultures to be specific), which is why I believe that it’s so difficult to define Capoeira, or to put it in a category.

Dance, Combat, Healing, Musicality, Philosophy, Spirituality, Capoeira has it all, equally woven together in this unique way of life that we capoeiristas are a part of.

So… WHY ELSE is dance important to Capoeira?

In the practice of Capoeira, specifically Capoeira Angola, the combination of music, dance, and physicality transcends mere artistic expression and delves into the spiritual realm. Capoeiristas often describe moments during the game when time appears to stretch endlessly, and their movements flow with an otherworldly grace. It’s as if their bodies instinctively respond to the rhythm of the berimbau, compelling them to become mere observers of their own actions. These profound experiences within the roda are believed to connect practitioners to profound spiritual insights, blurring the boundaries between the physical and the metaphysical.

Dancing, a practice dating back to ancient times, offers a plethora of benefits that encompass the physical, mental, and spiritual realms. From improved physical fitness and coordination to enhanced mental well-being and stress relief, the ancient warriors recognized the value of dance in nurturing holistic health. The rhythmic movements and expressive gestures involved in dancing not only promote physical agility but also contribute to mental clarity and emotional balance. Moreover, the spiritual aspect of dance transcends cultural boundaries, as it has been revered as a means of connecting with higher consciousness and celebrating the essence of life. Throughout history, warriors have utilized dance not only as a form of physical training but also as a way to commune with the divine and cultivate inner strength.

But we’re not gonna get into that.

Well, not too much…

Capoeira, a beautiful and captivating Afro-Brazilian martial art, has a rich history intertwined with dance and acrobatics. For countless years, the mesmerizing blend of dance and acrobatics within capoeira has been showcased not only in Brazil but across the globe.

Whether it’s the energetic and rhythmic display of capoeira in street performances, where talented artists sometimes perform for financial support or purely to share this mesmerizing art form with the public, the impact is undeniable. Additionally, the enchanting fusion of capoeira with other traditional Brazilian cultural expressions in large-scale folkloric spectacles is a sight to behold.

The vibrant displays that celebrate Brazilian culture often showcase a rich tapestry of traditional art forms, including Maculele, Samba de Roda, Maracatu, Puxada de Rede, and a myriad of other captivating dances. Imbued with energy and a deep sense of history, these displays offer audiences a truly immersive and unforgettable experience, drawing them into the heart of Brazil’s cultural heritage.

Moreover, capoeira has impacted movies and TV with its dynamic and expressive nature, captivating audiences and solidifying its position as a cultural phenomenon. For instance, in the 1993 movie “Only the Strong,” capoeira is central as a Brazilian martial arts instructor uses it to teach discipline to troubled high school students, showcasing its grace and power to a global audience.

Also, Capoeira has made appearances in various television shows, often depicted as an integral part of Brazilian culture. Its inclusion in visual media has contributed to the broader recognition of Capoeira as a rich cultural tradition with deep historical roots. Whether used in action sequences or as a means of storytelling, Capoeira continues to leave a lasting impression on viewers, further solidifying its place in popular culture.

Now, I’d like to change up a little bit and tell you guys a little story. On another PAGE, I mentioned Capoeira and Break Dancing…

Well, in case you didn’t know, capoeira has an… interesting relationship with break dancing.

You see, the similarities between capoeira and break dancing are truly fascinating. The footwork, groundwork, and upside-down movements in both art forms have sparked a lot of interest and speculation among enthusiasts and scholars alike. Many have pondered the intriguing possibility that break dancing may have derived from capoeira, given the remarkable parallels between the two.

As we continue to explore the intricate connections between capoeira and break dancing, it’s clear that their parallel paths have contributed to the vibrant tapestry of movement and cultural expression, sparking creativity and inspiration across different communities and generations.

The history of breakdancing is rich and diverse, with influences from various sources. While some of the early bboys were not exposed to capoeira, they drew inspiration from martial arts films, infusing their unique style into the dance form. Interestingly, elements of breakdancing, such as rhythmic movements and vocal percussion, have roots in performances by artists like The Mills Brothers and the Nicholas Brothers in the 1930s and 40s.

These influential performers, known for their electrifying stage presence and boundary-pushing creativity, showcased captivating singing, innovative choreography, and mesmerizing dance movements, laying the foundation for the expressive and dynamic nature of breakdancing.

Their groundbreaking performances not only captivated audiences but also inspired a new generation of dancers and artists. As breakdancing continues to evolve and captivate global audiences, it remains essential to appreciate its origins and the contributions of artists from different eras to its development, ensuring that the rich tapestry of influences and styles is celebrated and preserved for generations to come.

Okay, the comparison of the videos above to break dancing may not be 100% accurate, but the essence of the message is clear.

Observing the elderly individual in the video below, any Capoeira Angola practicioner would likely attest to the familiarity of his movements, and swear he had some experience with the art form.

A skilled Capoeira Angola player would recognize the nuances and techniques reminiscent of their own practice, which further underscores the depth of the man’s engagement with the discipline.

Based on historical research and cultural analysis, the development of break dancing in the United States is a fascinating subject with complex influences and origins. While it’s a prominent part of hip-hop culture, its roots can be traced to various dance forms and movements. Some scholars argue that break dancing has its foundations in different street dances from the Bronx and Harlem in the 1970s, evolving from energetic and acrobatic moves that were part of block parties and dance battles.

While break dancing has distinct characteristics, it’s essential to acknowledge the global influence on dance forms and recognize that cultural exchange and cross-pollination have been fundamental in the evolution of different dance styles. The debate about the origins of break dancing continues, and it’s a topic that invites diverse perspectives and interpretations.

Understanding the historical context and the intertwining of various dance forms is crucial in appreciating the rich tapestry of dance culture. As such, the relationship between break dancing and capoeira, an Afro-Brazilian martial art incorporating elements of dance, music, and acrobatics, is a subject of interest and scholarly inquiry. Both break dancing and capoeira showcase impressive athleticism and creativity, contributing to the vibrant mosaic of global dance traditions.

In conclusion, the development of break dancing in the U.S. and its potential influences from other dance forms like capoeira is a compelling area of study that reflects the dynamic nature of cultural exchange and artistic innovation.

However, I also believe that capoeira and break dancing may have influenced each other when practitioners of the arts met and exchanged movements in the 1990’s.

The two art forms are similar in that both are African rooted, and both represent a way that people living on the margins of society have used movement, music, and creativity to deal with their situation.

Now, if there is any fighting art out there that DOES have any connection with breakdancing, it would be Jailhouse Rock, aka 52 blocks.

This fighting art indeed exhibits a fascinating connection with breakdancing. Both disciplines share a rhythmic and fluid movement style that emphasizes agility, footwork, and creativity. In Jailhouse Rock, practitioners incorporate evasive maneuvers, striking techniques, and intricate hand movements reminiscent of the dynamic and expressive nature of breakdancing. This synergy between the two art forms highlights the diverse influences and intersections found within the world of martial arts and urban culture.

This video captures the artistry and skill of a breakdancer as he seamlessly incorporates hand moves inspired by jailhouse/52 blocks into his uprock performance. The mesmerizing fusion of dance styles not only showcases the dancer’s creativity and versatility but also pays homage to the rich cultural influences that have shaped these diverse forms of expression.

It’s a testament to the ongoing evolution of dance, where traditional elements intertwine with contemporary innovation, resulting in captivating displays of movement and rhythm. This amalgamation of influences serves as a powerful reminder of the universal language of dance, transcending boundaries and uniting people through the joy of artistic expression.

The post showcases an impressive video featuring a breakdancer executing a dynamic uprock, enhancing the performance with hand movements influenced by jailhouse/52 blocks. The combination of fluid uprock movements with intricately crafted hand gestures creates a visually captivating display of skill and creativity. This fusion of breakdancing with elements inspired by jailhouse/52 blocks injects a unique flair into the routine, offering viewers a fresh perspective on the art form. Through this innovative approach, the dancer adds a layer of diversity and cultural richness to the breakdancing performance, enriching the experience for the audience while also paying homage to the roots and influences of the art.

I’m not gonna go into Jailhouse anymore, since this is a CAPOEIRA ANGOLA WEBSITE. I just wanted to explore the connection between this art, and breakdancing, and HIP HOP in general.

Besides, I do talk a little bit more about it on another PAGE.

Now, back to the subject at hand.

In the world of the Martial arts, we have two factors, that are often co-existent, although at first thought, seem mutually incompatible.

These two aspects are ARTISTRY…

And SAVAGERY.

Now in the past, where developing a person’s sense of spirituality was more important, the Artistic aspects of the M.A. were highly valued and studied. I mean, look at most of the traditional M.A. styles practiced today. Nearly ALL of them have an “ARTISTIC” side to them, which adds depth and richness to the practice of martial arts. For example, Karate features its elegant and precise KATAS, which are a series of choreographed movements that simulate a fight against imaginary opponents. These katas not only develop technical skill and muscle memory but also convey the principles and history of the art. Similarly, Kung Fu has its mesmerizing and skillful choreographed FORMS, which showcase the practitioner’s mastery of the art through fluid and powerful movements. Meanwhile, Silat incorporates the graceful and rhythmic KEMBANGAN, which are intricate and beautiful movements often likened to a dance, yet each movement contains deadly combat applications. Furthermore, Kali, Escrima, and Arnis are known for their SAYAWS, which are dynamic and rhythmic dances that also serve as a unique method of training. This emphasis on the artistic side of martial arts not only adds aesthetic value but also plays a crucial role in preserving the cultural and historical significance of these traditional practices.

And, these arts tend to focus on developing the “INNER SELF“, as much if not more than developing their combat ability.

Now, as we come forward to the present day, we sadly see the Martial Arts more and more concentrating on the savage aspects.

Make no mistake. the savage aspects do WORK, and to a degree, the rush of a bull, the ground and pound, etc. will ALWAYS be effective.

It’s also easy to understand and watch for the common man.

However, nowadays artistic aspects of the Martial arts fell into some disrepute . Why?

This tendency to focus exclusively on the art of combat has resulted in the development of followers who become so immersed in the artistic aspects that they overlook the vital savage side, which is essential in combat. Consequently, they may not realize that mastering both aspects is crucial — the art and the savagery. In today’s context, where disciplines like MMA, Krav Maga, and “Reality Based Self-Defense” are prominent, there seems to be a prevailing culture that primarily embraces the savage elements of combat. This shift in focus raises important questions about the balance between artistry and savagery within the realm of combat and martial arts.

The art of mixed martial arts is a captivating blend of skill and raw power. While there is certainly an artistic aspect to the sport, with practitioners displaying grace and precision in their techniques, it is the ferocious intensity of the combat that truly captivates audiences around the world. The relentless onslaught of kicks, punches, and chokes embodies the essence of what so many fans find enthralling about MMA. It’s the sheer determination and physicality on display that keeps fans on the edge of their seats, eagerly anticipating and cheering for each explosive showdown in the cage. This sheer display of skill and power is what draws the crowds and keeps them coming back for more, as they witness the ultimate test of strength, agility, and willpower in the arena.

But what many people don’t get is that this really stands in contrast to what martial arts should be. Violence for the sake of ego will always be ugly, and leave us spiritually impoverished.

Understanding the essence of martial arts is crucial in order to fully grasp the depth of its principles. Far beyond the physical aspect, martial arts encompass a philosophy of discipline, respect, and self-improvement. The pursuit of mastery in martial arts is intricately connected to a journey of self-discovery and personal growth. It’s about honing not only the body, but also the mind and spirit.

The misconception of martial arts as a vehicle for promoting violence and ego-driven behavior couldn’t be further from the truth. True martial artists embrace a code of ethics that rejects aggression for the sake of bolstering one’s ego. Instead, they seek harmony, self-control, and empathy. By internalizing these values, they cultivate a mindset that is characterized by humility and a profound respect for others.

In essence, the practice of martial arts is a transformative experience that aims to uplift individuals and foster a sense of inner peace and spiritual fulfillment. It’s an embodiment of grace, resilience, and integrity, serving as a testament to the indomitable strength of the human spirit.

And that’s where the artistic aspect of the Martial Arts come in.

Now some have a very hard time seeing the value of one or the other. You can show a beautiful artistic fighter like this, with intricate techniques and graceful movements, and still, some may fail to recognize its worth. It’s often the case with unconventional forms of art, where the beauty and significance may not be immediately noticeable to everyone.

However, for those who truly understand and appreciate the artistry behind it, the value is immeasurable. It’s a reminder that true beauty and worth can be found in unexpected and unconventional places, and it’s up to each individual to open their hearts and minds to see it.

Likewise, a purely artistic fighter may not appreciate the raw power and rush of the “savage fighter”. In fact, they often times ridicule the so-called “savage” side of the martial arts, while trying to act like they themselves are somehow more “spiritual”.

This clash of perspectives often leads to a deep divide within the martial arts community, with each side fiercely defending their own approach. The artistic fighter values finesse, precision, and technique, believing that true mastery of the martial arts lies in the seamless flow of movements and the expression of inner creativity. On the other hand, the “savage fighter” embraces primal instincts, explosive strength, and a relentless pursuit of victory, often dismissing the artistic approach as mere showmanship lacking practicality.

However, some proponents argue that both approaches are essential components of a well-rounded martial artist. They advocate for a balanced synthesis of artistry and savagery, harnessing the grace and fluidity of movement while also tapping into the raw, untamed energy within. This harmonious union, they argue, leads to a higher level of martial prowess that transcends the limitations of either extreme.

Ultimately, the diversity of perspectives within the martial arts reflects the rich tapestry of human expression and individuality. Each fighter brings their own unique blend of artistry and savagery to the arena, creating a dynamic and multifaceted landscape of combat that continues to evolve and inspire.

Now what makes Capoeira special is, WE USE BOTH AT THE SAME TIME.

In Capoeira, Capoeira Angola in particular, we fight and practice in such a way that the art HIDES the savagery, allowing it to sneak out, do its damage, and then melt back into the art of the fight seamlessly. However, it is crucial not to mistake the gracefulness of the movements for a lack of power or intensity. Once skillful moves are executed, the blows are launched at the opponent’s body with full savagery for as long as needed, demonstrating the duality of the art – a delicate dance intertwined with the raw force of combat.

We live in both worlds at once, so the moment we can not or do not need to keep up the SAVAGERY, that part of us hides in the background, and the ARTISTIC side takes the lead. The dancing, the acrobatics, etc. are utilized so the art sets the stage to open the door to our savage dark passenger who awaits the signal to save us with what ever it takes…

This intricate duality of human nature, where both the savage and artistic aspects coexist, is a reflection of the complexity within each individual. It’s as if we carry within us the capacity to adapt to the demands of different environments and circumstances. The notion of living in both realms simultaneously encapsulates the essence of human experience, where the contrasting forces of savagery and artistry converge within our being.

When the exigency for savagery subsides or becomes unnecessary, it retreats to the recesses of our consciousness, allowing the artistic inclinations to rise to the forefront. The expression of these artistic endeavors, such as dancing and acrobatics, manifests as a gateway, inviting the emergence of our primal instincts, waiting for the opportune moment to intervene, if need be, by any means necessary.

This metaphorical interplay between savagery and artistry speaks to the underlying complexity of human behavior and emotions. It underscores the dynamic interrelationship between seemingly disparate facets of our psyche, weaving a narrative of inner conflict and harmonious coexistence. In unraveling the intricacies of our multifaceted nature, we come to grasp the depth of our humanity and the enigmatic interweaving of our primal instincts and creative expression.

The essence of understanding each facet of the coin in every maneuver, whether in practical application or combat, is integral to mastering the art. Embracing the duality inherent in each movement allows for a comprehensive exploration of its potential. A proficient instructor can adeptly demonstrate this approach, guiding students through the nuanced interplay. However, it is equally crucial to harness the full array of techniques at one’s disposal. Techniques such as the Ginga, Negativa, Au, Rabo-De-Arraia, and more form the rich tapestry of skills that contribute to a thorough and versatile mastery of the discipline. Finding fluidity in transitioning between these diverse elements is key to achieving a holistic understanding and proficient execution.

Now like I typed before, capoeira isn’t the only martial art out there that trains this way. For example, in addition to capoeira, there are other martial arts that emphasize fluid, acrobatic movements alongside traditional combat techniques. Among these, you can find examples like Wushu, a Chinese martial art that incorporates powerful and graceful movements, often involving acrobatics and agility.

These traditional art forms, such as capoeira, embody the harmonious blend of athleticism, creativity, and self-defense, providing enthusiasts with a multifaceted approach to enhancing both their physical prowess and mental agility. Through the graceful movements and rhythmic sequences inherent in capoeira, individuals not only cultivate their strength and flexibility but also sharpen their cognitive sharpness, fostering a well-rounded and balanced development of mind and body.

The martial art depicted in the video is known as Tae Kyon. It’s fascinating to observe that dancing plays a significant role in this practice, akin to capoeira. The fluidity and rhythm inherent in these movements add an artistic and expressive element to the martial discipline, infusing it with a unique blend of physical prowess and grace. The incorporation of dance-like elements not only enhances the aesthetic appeal of Tae Kyon but also brings an intriguing dimension to its functionality, highlighting the interconnectedness of artistry and combat techniques. The synergy between combat and artistry is evident, creating a mesmerizing display of skill and creativity that captivates both practitioners and spectators alike.

The Hawaiian martial art of Lua has a rich history rooted in traditional Hawaiian culture. Although Lua doesn’t incorporate dancing as a formal part of its practice, there is an undeniable connection between the traditional Hawaiian Hula dance and the martial art of Lua. This relationship is deeply woven into the cultural fabric of Hawaii, reflecting the interconnected nature of various art forms and practices within the local community.

The Traditional Hawaiian Hula dance, with its graceful movements and storytelling elements, shares a profound resonance with the principles and traditions of Lua. Both art forms possess a deep sense of cultural significance and historical context, highlighting the intertwining of movement, storytelling, and tradition within Hawaiian heritage. As you can see in this video playlist, the similarities and connections between the Traditional Hawaiian Hula dance and the martial art of Lua are compelling, shedding light on the profound cultural tapestry that continues to thrive in Hawaii.

The symbiotic relationship between the Traditional Hawaiian Hula dance and the martial art of Lua serves as a testament to the interconnectedness of cultural expressions and traditions, offering a deeper understanding of the holistic nature of traditional practices in Hawaiian society. Through this union, the spirit of ancient traditions and the artistry of movement converge, creating a vibrant tapestry of cultural expression that resonates with the enduring spirit of Hawaii.

In addition to the rich cultural significance of the Indonesian version plate dance, it’s fascinating to note how this traditional art form has transcended geographical boundaries, resonating in many different regions across Indonesia, Malaysia, the Philippines, and beyond. The widespread practice of this dance underscores its enduring legacy and the profound impact it has had on diverse communities.

Furthermore, the integration of the Indonesian version plate dance within the silat tradition provides a captivating glimpse into the dynamic nature of this martial art. As you explore the playlist, you’ll encounter a silat practitioner incorporating the dance into their warm-up routine, illustrating the seamless blend of cultural expression and physical discipline. It’s truly remarkable to witness the fluidity and grace with which practitioners move, showcasing the interconnectedness of movement, tradition, and combat techniques.

The invaluable knowledge passed down to me from esteemed figures such as the late, great Guru Ernie Puga adds another layer of depth to the significance of this dance. Learning combat applications, strikes, blocks, and joint locks derived from this dance not only highlights its multifaceted nature but also underscores the practical relevance embedded within its movements. This fusion of cultural heritage and martial prowess encapsulates the essence of silat, transcending mere physicality to embody a holistic way of life.

Moreover, the traditional Kembangan, known as the flower dance of silat, represents a captivating expression of artistry and tradition. The graceful movements and symbolic gestures encapsulated within this dance offer a profound insight into the aesthetic and spiritual dimensions of silat, further enriching the tapestry of this revered martial art.

In summary, the Indonesian plate dance, its integration within silat, and the traditional Kembangan collectively weave a vibrant tapestry of cultural heritage, martial prowess, and artistic expression. Through these captivating displays, one can truly appreciate the depth of tradition and the enduring legacy of these ancient practices.

The traditional dances and games played in the Philippines hold a rich cultural significance, often incorporating martial components that reflect the strength and agility of the Filipino people. These traditional forms of expression not only showcase the artistic talents of the performers, but also embody the historical and societal aspects of the Philippines.

From the graceful movements of the Tinikling dance to the spirited energy of the Arnis martial art, each performance and activity is a testament to the enduring traditions and martial heritage of the Filipino culture. Engaging in these dances and games provides a unique insight into the values and spirit of the Filipino people, fostering a deeper understanding of their vibrant and dynamic cultural identity.

Look at Boxing legend Muhammad Ali. In his time, spectators, announcers, and trainers began to comment that watching his boxing footwork was similar to watching a ballerina dance on stage, and he was criticized for it. Yet, opponents like Chuck Wepner and many others would fall victim to his “dancing” style, often caught off guard by his agility and finesse.

If you want to watch the full fight, click HERE.

He had a very specific footwork technique that almost emulated a choreographed dance, allowing him to glide effortlessly across the ring, evading punches with remarkable ease. His expression “float like a butterfly, sting like a bee” became iconic not just for its poetic resonance, but also because he looked like he was floating as he moved around the ring, appearing almost weightless while still being able to pack some serious force towards his opponents. This blend of elegance and power redefined boxing styles, showcasing that boxing wasn’t solely about brute strength—it was an art form that required skill, grace, and an understanding of rhythm, making Ali not just a champion in the ring but a cultural icon whose legacy continues to inspire athletes across disciplines.

Combat which is also art is something very noble and rare, especially these days. Nobility and rarity are for those who wish to become noble and rare. Unrefined brutality is for those who wish to become animalistic brutes.

The art of combat, when elevated to a noble practice, embodies a rare form of skill and discipline. In today’s world, the convergence of combat and artistry is indeed an uncommon sight, making it all the more worthy of reverence. Those who seek to embody nobility and rarity in their pursuits naturally gravitate towards this fusion.

In contrast, unrefined brutality represents a stark departure from nobility, leading instead to the realm of animalistic behavior. It reflects a lack of refinement and discipline, characteristic of those who seek to dominate through sheer force rather than the elegance and skill that define the artful combatant.

So in conclusion…

If you wanna make fun of my “Capoeira Dancing” that’s fine because,

I consider it a huge compliment that you acknowledge the fact that I CAN DANCE!!! 

Of course I’ll never be as good as these guys…

But… I will keep trying to better myself.